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Criticism
Credit: Alfredo Salazar-Caro, SOL: Statue of Liberty/Statue of Lies AKA Last Days of Babylon (detail), 2020. Courtesy of the artist
Criticism
EPOCH Gallery and Blockchain’s New Ecology
On the occasion of EPOCH’s new show “Cryosphere,” Charlotte Kent considers the value of community curation
by
Charlotte Kent
Credit: Jenisu, Girls & Love #14 (detail), 2020. Courtesy of Museum of Crypto Art Genesis Collection
Criticism
Nobody Works at the Canvas Museum
So why can’t crypto art escape the influence of its medium, asks Max Cohen
by
Max Cohen
Credit: Vadim Epstein, (Still from) Saga, 2021. Courtesy of the artist
Criticism
CLIP Art and The New Aesthetics of AI
As creative AI evolves, Luba Elliott asks whether NFTs can unlock its potential as a tool for artists
by
Luba Elliott
Credit: Refik Anadol, Quantum Memories, 2020. Courtesy of the artist. Photography by Tom Ross
Criticism
From NFTs to Quantum Computing
As art and technology increasingly align, Beth Jochim examines three artists working at the edge of infinite space
by
Beth Jochim
Credit: Harm van den Dorpel, Mutant Garden Website, 2020
Criticism
What are NFTs Anyway?
Wassim Alsindi considers the problems of blockchain technology and finds redemption in a select group of artists
by
Wassim Alsindi
Credit: Ania Catherine and Dejha Ti, On View, 2019
Criticism
To the Metaverse and Beyond
Habib William Kherbek on the future of digital property, with image curation by Ania Catherine and Dejha Ti
by
Habib William Kherbek
Credit: Marcel Duchamp, Monte Carlo Bonds, 1924
Criticism
Making Sense of the $40B NFT Market
Brian L. Frye on why NFTs aren’t so novel after all
by
Brian L. Frye
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