Joana Kawahara Lino@joanakawaharalino9 hours ago
isn’t that so scary???
The Algo Killed Curation.
mikeyassis18 hours ago
But we've never made decisions on our own! And have always since forever had our tastes and preferences dictated to us.
The Algo Killed Curation.
nastaran najafi@nastaran21 hours ago
I believe people see the artists but they’re delusional with perfect generated images , They don’t have a enough knowledge about art and we don’t need to be perfect or our creation shouldn’t be perfect, so they think the…
The Algo Killed Curation.
Primavera De Filippi@primavera1 day ago
adding this interview from Mario Klingemann because it feels very relevant to the conversation: https://www.art-magazine.ai/artist-directory/feature/mario-klingemann-conflict-of-interest. :)
When was the last time you were surprised by AI?
Piter Pasma@piterpasma3 days ago
Ever since I got onto the Internet (actually even via BBSes, before that), I have tried meeting up with the people I met online. It’s always fascinated me, that a bunch of characters on a screen, actually is a truly real…
Yelling Into The Void
Alex Estorick@axel3 days ago
We’ve published various articles over the years that highlighted this threat: that the rhetoric of decentralization and decoloniality were merely the emperors new cloaks. As ever @joanakawaharalino hits the nail on the h…
On the Super Bowl-ification of Digital Art
Joana Kawahara Lino@joanakawaharalino3 days ago
I completely agree, and I love the way you put it. These systems can’t see, can’t truly look or feel.
Yelling Into The Void
Joana Kawahara Lino@joanakawaharalino3 days ago
I LOVE “eyeball harvesters”! Completely, I think it can become a highly dehumanising experience. Do you reckon there is some sort of antidote to it? When you mention conversations with real people, do you mean people who…
Yelling Into The Void
Danielle King@danielle3 days ago
Thanks for these recommendations @ivonatau ! The Gilbert book in particular looks right up my alley...
Calling all book lovers! Art book recommendations?
Pedro Victor Brandão@pedrovictor3 days ago
Glad you liked it! Indeed, it’s something to keep alive beyond those Will Smith benchmark tests ahha. I used a ton of Dalle-mini and Dalle-2 in 2022 when people from OpenAI were giving away this beta testing access to ar…
Media Synthesis Museum, by Hugging Face
Ivona Tau@ivonatau4 days ago
Ben Davis, Art in the after culture Kyle Chaika, Filterworld Sophie Gilbert, Girl on Girl ( less art , but pop culture in general )
Calling all book lovers! Art book recommendations?
Ivona Tau@ivonatau4 days ago
Being surprised by AI very often means learning something new about the data. Discovering how it can be molded or what can be build from it, intentionally or not. That’s why for me it’s important to work with models and …
When was the last time you were surprised by AI?
Ivona Tau@ivonatau4 days ago
I am on the same page with you about training your own models . Still. Or maybe especially now. When the differences between next best models are so negligible, and when people are tired of the visual stimulus, I’m losin…
On digestion, going slow and whether the custom AI model still matters
Ivona Tau@ivonatau4 days ago
The same is happening with images obviously. Most of them are produced for systems that analyze them without seeing.
Yelling Into The Void
Ivona Tau@ivonatau4 days ago
I think you are right about the institutions. I’m excited about this place, because for me the biggest advantage of the whole nft movement (selling art aside) was the ability to form meaningful connections with artists w…
Five years after 2021: Where is digital art heading to?
Ivona Tau@ivonatau4 days ago
Excited to explore and join the conversations!
About our new website
Danielle King@danielle4 days ago
Thank you @pgervois , it means a lot to hear this!
I started to create digital art because I was broke, not because I choose the medium
Miguel Ripoll@miguel_ripoll_studio4 days ago
Please note that I didn’t say “the art world”, or “the artists”. I said “the art MARKET”.
Why does art still have to be either digital or analogue?
Tony Lyu@tony5 days ago
This is a great find. I love the idea of treating older generative models as cultural artifacts that people should still be able to experience. Curious which models people will consider most important to preserve.
Media Synthesis Museum, by Hugging Face
Giannis Sourdis@greekdx5 days ago
I don’t know if that’s how the art market classifies art. I think any split is definitely misleading when many artists (or rather their studios) that are in the “analogue” category use digital tools or procedures before …
Why does art still have to be either digital or analogue?
About our new website. Welcome to the new Right Click Save site. This is a quick rundown of what’s here and how it works. Right Click Save now runs on its own platform, built in-house, with three main sections: the Magazine...
Yelling Into The Void. If the dead internet theory holds, we are all operating in a kind of cultural afterlife: producing for systems that consume without reading, circulating ideas through networks that route them back bef...
On the Super Bowl-ification of Digital Art. There is a peculiar physics to attention in digital art, and it does not obey the logic the technology promised. A blockchain has no time zone: a token minted in Yokohama settles identically to one mi...
What's the last digital artwork that actually moved you? Not the most important, not the most expensive, not the most technically impressive - the last one that actually got you. Stopped your scroll, stayed in your head, made you feel something you didn't e...
State of the Digital Arts. I want to start by saying that my interest as Founding Editor of Right Click Save is not and has never been in defining the digital arts but in surfacing as wide a range of voices as possible to deter...
When was the last time you were surprised by AI? I’m often impressed by the quality of AI, sometimes I’m even fooled into believing that something that is not real is real, but I’m hardly ever “surprised” by seeing something I had never seen before,...
Enter the Forum. Right Click Save has been curating conversations at the intersection of art and technology since 2022. Now we’ve built a better place to host them. Our new website has three sections: the Magazine , t...
Calling all book lovers! Art book recommendations? I’m looking forward to checking out Pascal Grecos’s Photography, Video Game, Landscape, which RCS recently featured in its newsletter...I've also been enjoying Katy Hessel's The Story of Art Without M...
I started to create digital art because I was broke, not because I choose the medium. I really value this new space for conversations, at the intersection of digital and physical art practices. I hope we can have here (I saw familiar faces!) very open conversations and confront ideas. ...
art and prediction markets? what are the best historical and contemporary examples of artists working with/about prediction markets or broader futarchy related concepts?
Avant/Gay NFTs are dead. Long live Avant/Gay NFTs. After months of not travelling for art events I visited Lisbon to attend the Non-Fungible Conference 2 weeks ago. Something that I kept being asked was "What happened to those Gay NFTs" My response wa...
Media Synthesis Museum, by Hugging Face. Interesting initiative by Apolinario Passos (Head of Machine Learning for Art and Creativity at Hugging Face). Documents opensource model, perhaps even closed source models in the future.
Why does art still have to be either digital or analogue? The art market seems settled on a binary that makes less sense every year: art is either digital, meaning it lives on a screen (and/or printed as an edition), or analogue, meaning it never touched a c...
A Summer of Video Game Art: Introducing the LAN Party Summer School. Despite being historically undermined by the art world as a medium, video games have always been a rich means through which artists have explored themes of power, politics, identity, romance/longing, ...
Curator’s Selection: Ongoing Open Call. Curator’s Selection is an ongoing curatorial initiative by ART & VAULT in collaboration with HUG and .ART. Artists are invited to submit work on a rolling basis through the end of the year. Selected w...
Five years after 2021: Where is digital art heading to? Okay, let’s address the elephant in the room. We all have this nostalgia for the extraordinary moments we were part of in 2021, when we witnessed an explosion of art conversations catalyzed by the arr...
What do we mean by "digital"? I have recently published an article that attempts to answer this question. Adopting a philosophical and theoretical approach, I propose a series of ideas regarding what we understand by “digital" and...
Institutional Stamina. Musing on all the new institutions opening in 2026, I was recently struck by a point made by Efsun Erkiliç, co-founder, with Refik Anadol, of Refik Anadol Studio (RAS), about institutional “stamina”. ...
Boards of Canada | Inferno. If technostalgia is a defining characteristic of technocapitalism then it’s hard not to regard BOC’s new album “Inferno” as a pure expression of that tendency. The group’s characteristically euphoric ...
On digestion, going slow and whether the custom AI model still matters. The dominating discourse about AI — not only in art but also in the corporate world — still seems to be about its "generative" features: creating more images, using more tokens, more connectors, more ...