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In the Forum

Museums have spent a century optimising for a single site, a single public, a single board making decisions in a boardroom. That model is evolving. Let’s think about institution governance, funding, c...

Miguel Ripoll@miguel_ripoll_studio

The art market seems settled on a binary that makes less sense every year: art is either digital, meaning it lives on a screen (and/or printed as an edition), or analogue, meaning it never touched a c...

Primavera De Filippi@primavera17

I’m often impressed by the quality of AI, sometimes I’m even fooled into believing that something that is not real is real, but I’m hardly ever “surprised” by seeing something I had never seen before,...

Pedro Victor Brandão@pedrovictor

Interesting initiative by Apolinario Passos (Head of Machine Learning for Art and Creativity at Hugging Face). Documents opensource model, perhaps even closed source models in the future.

From the Magazine

A-Z of Digital Art 2026

RCS · News · Jan '26

Profile (past & present)

Coverage · 2 articles

Discussed

Mentioned

Read Next

In the Forum

From the Magazine

A-Z of Digital Art 2026

The Interview | Lawrence Lek

On the Index

Ana María Caballero— Artist

Meebits— Work

Whitney Biennial— Biennale

Profile (past & present)

Coverage · 2 articles

Discussed

Mentioned

Read Next

In the Forum

Building Tomorrow's Museum: What Can Decentralized Governance Teach Our Institutions?

Why does art still have to be either digital or analogue?

When was the last time you were surprised by AI?

Media Synthesis Museum, by Hugging Face

From the Magazine

A-Z of Digital Art 2026

The Interview | Lawrence Lek

On the Index

Ana María Caballero— Artist

Meebits— Work

Whitney Biennial— Biennale