B. Bogart@bbogart1 day ago
1. George Legrady’s “Pockets Full of Memories,” 2001 (The first artwork I learned about that uses a neural network to create images) 2. David Rokeby’s “The Giver of Names (1990-)” (Got to experience this one in person)
What are your digital art "classics"?
Joana Kawahara Lino@joanakawaharalino13 days ago
I’m a firm believer that initiatives like this make the digital art space infinitely more interesting. This feels authentic, native, and genuinely explorative of what digital can do, rather than an attempt to fit in with…
On Digital Art’s Physical Demands
Auriea16 days ago
@joanakawaharalino I can’t find where to reply to your last comment so I will put it here: Honestly? Mostly no. Or rather, the word that survived was usually someone else's. With Tale of Tales we got so tired of "is it a…
An Interview with Olia Lialina
Joana Kawahara Lino@joanakawaharalino16 days ago
Thank you, Auriea. The "what is a game" story landed for me. I think anyone who has spent years explaining what they do to people who arrived with a different definition knows that exhaustion, and I understand why "digit…
An Interview with Olia Lialina
Auriea18 days ago
That’s a whole question... I find myself agreeing with Olia in that “digital” is a call for calm... I call myself a “digital artist” so that I don’t have to explain myself all the time. I remember fighting over “what is …
An Interview with Olia Lialina
Joana Kawahara Lino@joanakawaharalino19 days ago
I would LOVE to hear our community’s thoughts on this, because thirty years in and Lialina says the fight has mostly been over words. "A lot of my 30 years as a net artist have been about fighting over words and their me…
An Interview with Olia Lialina
James Merrill@jamesmerrill28 days ago
Oh just a little! There’s much more that I am keeping close to the vest. I’ll elaborate a bit more on my personal findings in Pixel Art world. Just as the writer or illustrator meticulously sets the stage for creation, t…
Are you yearning for the past?
Alex Estorick@axel28 days ago
I’m completely in agreement here @jamesmerrill but fear your secret is out ..
Are you yearning for the past?
James Merrill@jamesmerrill28 days ago
I am secretly obsessed with pixel art, and it’s a goal of mine to begin really foraging through generative pixel art systems. On one hand, a good pixel artist is making critical decisions on a pixel-by-pixel basis, caref…
Are you yearning for the past?
Joana Kawahara Lino@joanakawaharalino30 days ago
I love the way they created such an appropriate dialogue between art and technology, especially considering Shenzhen’s industrial history!
A Prototype of the Future | Shenzhen’s First Art and Technology Biennale
Ivona Tau@ivonatau1 month ago
Thank you Joana! On the digital-native galleries makes sense when it’s framed this way. I was just wondering whether digital-native galleries operate strictly within world 2 and 4 context or is there also something beyon…
Seven Worlds of Digital Art | A Visitor’s Guide
Joana Kawahara Lino@joanakawaharalino1 month ago
Hi Ivona, thank you for this thoughtful comment. I read a few of your points a little differently. On the digital-native galleries: I took Lev's worlds to be defined by who validates the work and on what terms, not by th…
Seven Worlds of Digital Art | A Visitor’s Guide
Ivona Tau@ivonatau1 month ago
I think this is part of a bigger trend toward nostalgia aesthetics. With also things like hand-drawn elements and video footage shot on older digital cameras, it's a broader attempt to differentiate from "slop" aesthetic…
Are you yearning for the past?
Ivona Tau@ivonatau1 month ago
Thanks for a very interesting read! In my opinion, there are also a few smaller art worlds adjacent to these that could be worth adding. The first is the world of digital art native galleries and institutions. We've seen…
Seven Worlds of Digital Art | A Visitor’s Guide
Arthemort1 month ago
I was so disappointed to have missed you ! I also sent you a dm on right click save account to excuse myself of the sorry state you had to experience the show in.. when i came in later no light were on (as a matter of fa…
STEMMING A FUTURE ROOTED IN NOSTALGIA | POLYGON1993
Alex Estorick@axel1 month ago
I really enjoyed visiting this exhibition @arthemort, and I’m not surprised it was so popular for a generation gripped by technostalgia. The collaboration with Mitsuhiro Arita, of Pokemon fame, was intriguing for the way…
STEMMING A FUTURE ROOTED IN NOSTALGIA | POLYGON1993
Arthemort1 month ago
Thank you, Joana, for our original discussion on the topic when I was looking at closing the press release, which undoubtedly helped me put all this into words! will add some pictures by editing the post tomorrow for eas…
STEMMING A FUTURE ROOTED IN NOSTALGIA | POLYGON1993
Joana Kawahara Lino@joanakawaharalino1 month ago
I loved it when you mentioned how different nationalities received it differently! Being somewhere in the middle of both cultures, I could see a lot of very Western in POLYGON’s work, but also a visible fondness and admi…
STEMMING A FUTURE ROOTED IN NOSTALGIA | POLYGON1993
Joana Kawahara Lino@joanakawaharalino1 month ago
super interesting read!!
STEMMING A FUTURE ROOTED IN NOSTALGIA | POLYGON1993
Joana Kawahara Lino@joanakawaharalino1 month ago
This is such an interesting take!!! I was wondering if there’s any sort of visible distinction when it comes to an output, when you’re hand coding vs vibecoding?
How can generative artists distinguish hand-coded art in the age of AI?
The Quiet Migration: Digital Art After the Showcase. It's been a while since I've been sensing a shift in how social networks intersect with digital and contemporary art. Factors like digital-showcase fatigue, fake accounts, bots, and a growing nostalgi...
Thoughts on Dumb Art. Read Parker Ito and Alex Estorick’s conversation with great interest today. “Dumb Art” is a fun place to begin theorizing what happens to visual knowledge after machine-generated content. It’s a very ...
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How can generative artists distinguish hand-coded art in the age of AI? This question was posted by Art Blocks on Instagram: And I wrote a rather long comment below that post to answer the question, and I figured I should share it, so it doesn’t get lost. How can generati...
Calling all book lovers! Art book recommendations? I’m looking forward to checking out Pascal Grecos’s Photography, Video Game, Landscape, which RCS recently featured in its newsletter...I've also been enjoying Katy Hessel's The Story of Art Without M...
Repeat the word "AI" 100 times until it does not mean anything. I was thinking recently about how we stopped using the word NFT (while continuing to use the same tools), and today of course, we have another overused word that is starting to lose its meaning. On my...
ART VOICES: When the Image Becomes a World. ART VOICES Season Two continues with FVCKRENDER and BAEIGE, two artists whose digital practices have expanded into physical works, immersive environments, exhibitions, and FOIL Gallery in Montreal. Th...
When was the last time you were surprised by AI? I’m often impressed by the quality of AI, sometimes I’m even fooled into believing that something that is not real is real, but I’m hardly ever “surprised” by seeing something I had never seen before,...
The Flea Market of the Art World? Everyone is shouting from their own stall... That has consequences. Let me paint a picture: rows of tables under bad lighting. Everyone is the creator, the exhibitor, the marketer, the dealer, the sal...
Trading Card Aesthetics. I’ve been thinking a lot about the resurgence of trading card aesthetics in NFT art in the last year.. The format has been embraced by emerging artists like terrorism and Evil Biscuit; Beeple released...
The State of Digital Art Writing. I just published a post to Outland’s Substack that I think is of interest to folks here. If nothing else, it’s a kind of response to Giannis’s questoin “What does the NFT space need to thrive?” In the...
Five years after 2021: Where is digital art heading to? Okay, let’s address the elephant in the room. We all have this nostalgia for the extraordinary moments we were part of in 2021, when we witnessed an explosion of art conversations catalyzed by the arr...
art and prediction markets? what are the best historical and contemporary examples of artists working with/about prediction markets or broader futarchy related concepts?
Designed for failure: OpenAI's hack to HuggingFace. Last week, the first AI-to-AI hack just happened: OpenAI was benchmarking a pre-release model on offensive cyber capabilities (with guardrails off) and the model decided the easiest way to win the ben...
One of the worst aspects of the NFT space. Our space has some beautiful qualities but many bad traits as well. One of the negative ones is something most people pretend like it never happens but it’s one of the big reasons, in my view, as to w...
Where Are the Women? One of the most encouraging things about spending time in the Right Click Save forum has been seeing how many women are present, contributing, questioning, writing, and shaping the conversation around...