He made plotter drawings in 1967, and showed at the main art and technology shows of the day, before leaving the field in 1978. A Paris gallery spent ten years tracking him down to show everything that survives
The painter discusses rest, recursion, and the eternal power of metaphysical painting in an age of uncertainty
For more than 20 years, the artist has taken online art into physical spaces, from the era of internet cafés onwards. Now that the internet is everywhere, and AI may soon browse it for us, he asks what will be left of the web if we stop visiting it
The internet art pioneer tells Anika Meier how his income from digital art made it possible to extend his practice to canvas, a development that enables him to take breaks from the always-on overwhelm of being online
Rafaël Rozendaal speaks to Anika Meier about a quarter-century of making art online and the institutional recognition that has placed him in the timeline of art history
Michael Govan and Michael Connor discuss the care of digital art as a negotiation between the technical and the social
The artists Chris Dorland and Josephine Meckseper discuss art in the postdigital condition — painting, hybridity, and the legacy of postmodernism — with Alex Estorick
The artist discusses postinternet, Zombie Formalism, and the Avant NFT scene, coining a new term in the process with Alex Estorick
Once described as the “Bach of abstract animation”, the artist looks back on a 50-year career that includes working with George Lucas on the original Star Wars, as his 1985 animation Calculated Movements is issued as a new digital edition
Anika Meier talks to the digital art pioneer’s widow, Susanne Päch, about a new exhibition of Franke’s work, a new edition of his writings, and why so many of the questions he spent decades exploring feel so relevant again today
Pauline Foessel, founder of 100 collectors, speaks with Jan, aka thefunnyguys, the collector and co-founder of the digital art marketplace Raster, about discovery, data, and how the infrastructure surrounding digital art affects the way we collect
The Hawai'i-born artist discusses the visual languages that shape how we grasp the world
The net art pioneer, who has always treated the web as a medium, says the tech industry is working to make the digital world increasingly invisible, prompting her to demonstrate her belief in the care of digital art
The artist Dev Harlan argues, in “WYSIWYG”, a group show he has organized on eBay, that digital art is meaningless without mediation by the technology or infrastructure through which it is experienced
In applying the technological ideologies of the moment to his work, the artist has increasingly come to realize that art cannot be quantified
A new festival of art and technology is transforming the Southbank Centre into a playground of human imagination in the age of AI
Genesis Kai, the artist Ming Shiu’s digital alter ego, uses artificial intelligence not as a tool for automation but as a place for dialog and disagreement
Gaby Wijers, director of the Amsterdam-based organisation, on how collaboration, and knowledge-sharing, has been key to creating a global approach to caring for media art and its history
Leegte treats social media, NFTs, and AI as different expressions of a single technological transformation that he has witnessed unfolding during his three-decade-long practice
Marlene Corbun, curator of Eko33’s Calculated Skies at NFC Summit, Lisbon, talks to the artist about how the histories of optical inquiry and generative art are interwoven in his recent work