John Robinson@johnrobinsonpainter6 hours ago
What if the image is actually the least interesting part of making a painting?
Thoughts on Dumb Art
B. Bogart@bbogart6 hours ago
1. I think there is a class component, class defines if you lean harder to being extracted from, or receive on RoI. I think the underlying extractivism is what makes people angry about AI, even if they can’t articulate t…
Why does “handmade” feel like a moral position right now?
B. Bogart@bbogart6 hours ago
Indeed, art has become mere rendering, not process. Maybe related to the turn to the right where “common sense” “I call it as I see it” surface is substance conservativism? Even Lev Manovich (who has an ongoing drawing p…
Thoughts on Dumb Art
Joana Kawahara Lino@joanakawaharalino11 days ago
There is indeed something uncanny/oneiric about these works... I can’t quite pinpoint what it is.
The Immense Museum of Strangeness | Tim Kent
gisel4d15 days ago
I do believe the AR glasses are a solution to this somehow, but I will wait for the AR prescription contacts please! No telemetries but with full experience.
Five years after 2021: Where is digital art heading to?
Auriea21 days ago
Bravo!
An Artist’s Life, Part 2 | Rafaël Rozendaal Experiments With Painting
John Robinson@johnrobinsonpainter22 days ago
I find the premise uncomfortable because it seems to accept painting’s obsolescence on digital culture’s terms. Painting becomes another image in circulation, its material, historical and embodied intelligence subordinat…
Thoughts on Dumb Art
Catherine Mason@cathcomputerart30 days ago
Edward Ihnatowicz’s Senster of 1970
What are your digital art "classics"?
B. Bogart@bbogart1 month ago
1. George Legrady’s “Pockets Full of Memories,” 2001 (The first artwork I learned about that uses a neural network to create images) 2. David Rokeby’s “The Giver of Names (1990-)” (Got to experience this one in person)
What are your digital art "classics"?
Joana Kawahara Lino@joanakawaharalino1 month ago
I’m a firm believer that initiatives like this make the digital art space infinitely more interesting. This feels authentic, native, and genuinely explorative of what digital can do, rather than an attempt to fit in with…
On Digital Art’s Physical Demands
Auriea2 months ago
@joanakawaharalino I can’t find where to reply to your last comment so I will put it here: Honestly? Mostly no. Or rather, the word that survived was usually someone else's. With Tale of Tales we got so tired of "is it a…
An Interview with Olia Lialina
Joana Kawahara Lino@joanakawaharalino2 months ago
Thank you, Auriea. The "what is a game" story landed for me. I think anyone who has spent years explaining what they do to people who arrived with a different definition knows that exhaustion, and I understand why "digit…
An Interview with Olia Lialina
Auriea2 months ago
That’s a whole question... I find myself agreeing with Olia in that “digital” is a call for calm... I call myself a “digital artist” so that I don’t have to explain myself all the time. I remember fighting over “what is …
An Interview with Olia Lialina
Joana Kawahara Lino@joanakawaharalino2 months ago
I would LOVE to hear our community’s thoughts on this, because thirty years in and Lialina says the fight has mostly been over words. "A lot of my 30 years as a net artist have been about fighting over words and their me…
An Interview with Olia Lialina
James Merrill@jamesmerrill2 months ago
Oh just a little! There’s much more that I am keeping close to the vest. I’ll elaborate a bit more on my personal findings in Pixel Art world. Just as the writer or illustrator meticulously sets the stage for creation, t…
Are you yearning for the past?
Alex Estorick@axel2 months ago
I’m completely in agreement here @jamesmerrill but fear your secret is out ..
Are you yearning for the past?
James Merrill@jamesmerrill2 months ago
I am secretly obsessed with pixel art, and it’s a goal of mine to begin really foraging through generative pixel art systems. On one hand, a good pixel artist is making critical decisions on a pixel-by-pixel basis, caref…
Are you yearning for the past?
Joana Kawahara Lino@joanakawaharalino2 months ago
I love the way they created such an appropriate dialogue between art and technology, especially considering Shenzhen’s industrial history!
A Prototype of the Future | Shenzhen’s First Art and Technology Biennale
Ivona Tau@ivonatau2 months ago
Thank you Joana! On the digital-native galleries makes sense when it’s framed this way. I was just wondering whether digital-native galleries operate strictly within world 2 and 4 context or is there also something beyon…
Seven Worlds of Digital Art | A Visitor’s Guide
Joana Kawahara Lino@joanakawaharalino2 months ago
Hi Ivona, thank you for this thoughtful comment. I read a few of your points a little differently. On the digital-native galleries: I took Lev's worlds to be defined by who validates the work and on what terms, not by th…
Seven Worlds of Digital Art | A Visitor’s Guide
Thoughts on Dumb Art. Read Parker Ito and Alex Estorick’s conversation with great interest today. “Dumb Art” is a fun place to begin theorizing what happens to visual knowledge after machine-generated content. It’s a very ...
Why does “handmade” feel like a moral position right now? I’ve been thinking about the Dior story all week. A luxury house releases a holiday film, says it was all drawn by hand, and within days people are freeze-framing it to count the fingers on a cartoon ...
Five years after 2021: Where is digital art heading to? Okay, let’s address the elephant in the room. We all have this nostalgia for the extraordinary moments we were part of in 2021, when we witnessed an explosion of art conversations catalyzed by the arr...
f It Doesn’t Look Good, Nobody Looks Twice! As an artist, what bothers me most these days isn’t the noise around collecting, or even the contradictions within decentralization. It’s something much more fundamental: the way art is being created,...
Are you yearning for the past? Scroll an art feed right now. You’ll hit dithered gradients, 32-colour palettes, faceted meshes with visible seams. Work that looks like it was made on hardware that no longer exists. The two styles t...
Repeat the word "AI" 100 times until it does not mean anything. I was thinking recently about how we stopped using the word NFT (while continuing to use the same tools), and today of course, we have another overused word that is starting to lose its meaning. On my...
When was the last time you were surprised by AI? I’m often impressed by the quality of AI, sometimes I’m even fooled into believing that something that is not real is real, but I’m hardly ever “surprised” by seeing something I had never seen before,...
One of the worst aspects of the NFT space. Our space has some beautiful qualities but many bad traits as well. One of the negative ones is something most people pretend like it never happens but it’s one of the big reasons, in my view, as to w...
Where Are the Women? One of the most encouraging things about spending time in the Right Click Save forum has been seeing how many women are present, contributing, questioning, writing, and shaping the conversation around...
What's the last digital artwork that actually moved you? Not the most important, not the most expensive, not the most technically impressive - the last one that actually got you. Stopped your scroll, stayed in your head, made you feel something you didn't e...
On digestion, going slow and whether the custom AI model still matters. The dominating discourse about AI — not only in art but also in the corporate world — still seems to be about its "generative" features: creating more images, using more tokens, more connectors, more ...
The Margins of Realism | The Realism of Margins. Hey All! I thought I would share this bit of experimental writing, which I referenced in my comment on this thread, reflecting on knowledge, AGI, epistemology, disability, politics, queerness and more...
What does the NFT space need to thrive? This is a topic that has been debated and discussed about since NFTs broke the mainstream in 2021. It’s a big and nuanced topic but an important one. A fundamental issue we are facing, especially now ...
Yelling Into The Void. If the dead internet theory holds, we are all operating in a kind of cultural afterlife: producing for systems that consume without reading, circulating ideas through networks that route them back bef...
The Algo Killed Curation. No one discovers art anymore... What does taste even mean when the algorithm is predicting and dictating your preferences before you’ve even made a decision of your own?
What if 10 collectors were enough? https://x.com/laurentcastell/status/2077394599350284620?s=61
On the Super Bowl-ification of Digital Art. There is a peculiar physics to attention in digital art, and it does not obey the logic the technology promised. A blockchain has no time zone: a token minted in Yokohama settles identically to one mi...
I started to create digital art because I was broke, not because I choose the medium. I really value this new space for conversations, at the intersection of digital and physical art practices. I hope we can have here (I saw familiar faces!) very open conversations and confront ideas. ...
Why does art still have to be either digital or analogue? The art market seems settled on a binary that makes less sense every year: art is either digital, meaning it lives on a screen (and/or printed as an edition), or analogue, meaning it never touched a c...
Is destroying the file and avoiding screens entirely the most radical thing you can do with digital art? Every work I make begins in code and machine logic, but ends as a single unique hand drawing on paper. When it's finished, I delete everything: the source files, the intermediate states, the whole dig...