
Non-Playable Characters (2025) is a collection of essays, short stories, interviews, and visuals exploring the figure of the NPC as a cultural symbol, internet trope, social mirror, and conceptual vessel. The book’s editors, the curatorial duo LAN Party, introduce one of three essays from the book published in a special series by Right Click Save.
And, if we are all NPCs, what are some strategies that we can employ to reclaim some of our agency?

The glitch becomes central. When an NPC glitches, immersion fractures, opacity emerges, and the system’s smooth legibility is interrupted.

By cracking open that encrypted secret life of an NPC and analysing it as a negative to human experience, we can better understand and define what it means to be an active, agential and free human in the age of Big Tech and AI accelerationism.

Someone who goes against the grain of legibility and performativity could be considered as someone who “malfunctions” within our current society.

What proceeds from this mild, but contextless and flagrant, refusal is the narrator’s obsessive spiral into why Bartleby refuses to perform and function normally.

The scrivener appears in the narrator’s nightmares and, ultimately, causes him to move offices to physically remove himself from Bartleby’s dominance on his conscience.

If NPCs in their state of glitch can be seen as contemporary Bartlebys – a haunting, opaque, black-boxed figure that defies its programmed legibility – then they become symbols of what defiance against technocapitalism may look like today.

But an NPC’s active state does not originate from its own sentience (at least for now), but from its ability to inform us humans, who do have the power to willingly glitch ourselves.

In an age where we spend more time online than offline (for work, for leisure, to date, and so on), the boundaries between our digital and physical bodies blur.

We become useless to major tech corporations. Rejecting concrete categorisations of self, staying fluid, moving seamlessly through systems and infrastructures undetected — the glitched body becomes a spectral virus in capitalism’s sleek machine.

Their glitches are the negatives to our society of transparency and obedience, revealing that humans today often lack a sense of independence and privacy — a “secret life” that we can call our own. If there is something humans can learn from the secret life of an NPC it is therefore the following:
1: Reject Transparency
2: Embrace Opacity
3: Nurture the Other and the Occult
4: Glitch, Ghost and Curse the System; Become Useless
5: Mutate into your Higher Self
LAN Party is a curatorial duo by Vienna Kim and Benoit Palop that curates exhibitions, publishes texts, and organises community activations since 2023. Their research focuses on internet subcultures, digital art, gaming, and technostalgia.
Vienna Kim is an art historian, writer and curator with a specialisation in new media art and technologies. After obtaining her BA in Art History from the University of St Andrews, and her MA in Art Business from the Sotheby’s Institute of Art, London, she has dedicated her career to exploring the intersection of the art market and technology. She has worked as a freelance writer for nine years, exploring a range of topics about art on the blockchain, internet subcultures, and video game art. Publications include WIRED Japan, Fisheye Immersive, Le Random Editorial, Photo London and Business of Fashion.
Benoit Palop is a Tokyo-based digital culture producer, writer, and curator with over 13 years of experience working across digital art and decentralized networks. He holds a Master’s degree in Digital Media Research from Sorbonne University in Paris. His practice explores how digital ecosystems shape culture, with a particular focus on internet subcultures, networked aesthetics, and emerging paradigms. He has collaborated with MUTEK, WIRED Japan, VICE, i-D, Lens Chain, SuperRare, Superstudio, M+ Museum, gallery.so, and the Society for Arts and Technology.
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¹ Positions on this topic have ranged from using the term “NPC” as an insult for individuals on the political left who aren’t able to think for themselves, to NPCification as an emancipatory state whereby individuals are unchained from “main character syndrome”. In either case, the positions imply a loss of internal subjectivity and free will in that one is unable to overcome a harsh economic-political reality, and therefore must either anesthetise oneself or abscond. For a summary on this, see Peter Limberg’s article “The NPC: Subjugating or Emancipating?” in Do Not Research.
² N Samman. Poetics of Encryption: Art and the Technocene. Hatje Cantz Verlag, 2023, 41.
³ H Melville. “Bartleby, the Scrivener: A story of wall-street,” in The Piazza Tales (1856), 10. Accessed on the August 6, 2025 via https://moglen.law.columbia.edu/LCS/bartleby.pdf
⁴ Ibid, 23.
⁵ B-C Han, Transparency Society. Stanford, CA: Stanford University Press, 2015. ‘Preface’, viii.
⁶ “Negativity” here should be understood in the philosophical, dialectical sense.
⁷ L Russell, Glitch Feminism: A Manifesto. London: Verso, 2020, 66.
⁸ Ibid., 63.
⁹ Ibid., 65.
¹⁰ Ibid., 64.
¹¹ Ibid., 68.