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Crypto Histories
Credit: Installation view of Heft Gallery at Paris Photo 2025 with work (right): Ganbrood, The Second Gaze (2025). Courtesy of Heft Gallery
News
Crypto Histories
How AI Alters Art History
Ganbrood discusses his encounter with Steve McCurry, whose work he reinterpreted with generative AI, at Paris Photo
by
Ganbrood
Credit: Evil Biscuit, Drifella III #151, 2025. Courtesy of the artist
Crypto Histories
Notes from the Avant NFT Underground
A core member of the community traces a history of the grassroots movement mining subculture to the limit
by
GardenParty85
Credit: Abraham, mist, 2021. Courtesy of the artist
Interviews
Crypto Histories
News
Agents of Eden | Gene Kogan and Xander Steenbrugge
The creators of Abraham share the origin story of the autonomous AI artist with Seth Goldstein
by
Seth Goldstein
Credit: Mario Klingemann, Mutation Series 6 | Mutation 1/14, 2014. Courtesy of the artist
Crypto Histories
The Latent Image
The early works of Mario Klingemann mark a tectonic shift from hand coding to machine learning, writes Alex Estorick
by
Alex Estorick
Credit: Hackatao, GLITCH THE PAINTBOX, 2025. Courtesy of the artists
Interviews
Crypto Histories
The Power of The Paintbox
Leading artists discuss the legacy of the Quantel Paintbox for digital art and pop culture
by
Georg Bak and Alex Estorick
Credit: Installation view of Environnement Chromointerférent, Paris (1974/2018) by Carlos-Cruz-Diez at “Electric Dreams”, Tate Modern, 2024. © Carlos Cruz-Diez / Bridgeman Images, Paris 2024. Photo © Tate (Lucy Green)
Interviews
Crypto Histories
On Electric Dreams
Bronac Ferran reflects on Tate Modern’s groundbreaking show of art by pre-internet pioneers with curator Val Ravaglia
by
Bronac Ferran
Credit: Installation view of Meandering River at Funkhaus, Berlin, 2018. Courtesy of onformative.com
Interviews
Crypto Histories
Expert Analysis
Art After Artists
A new book by Ashley Lee Wong offers a fresh perspective on art’s evolving ecologies and economies
by
Alex Estorick
Credit: Diego Trujillo, Blind Camera #32, 2022. Courtesy of Fellowship
Crypto Histories
AI | ALTERNATIVE INTENTIONS
Leading artists and thinkers raise the stakes in the great AI debate
by
Alex Estorick
Credit: Pepe Coin (PEPE), 2023
Crypto Histories
News
The Meaning of Memecoins
Mannay finds real cultural value in a world full of shitcoins
by
Mannay
Credit: Maurizio Cattelan, Comedian, 2019. Courtesy of Sotheby’s
Crypto Histories
The Artist as Comedian
The recent acquisition of a banana duct-taped to a wall demonstrates the shared values of conceptual art and crypto, argues Mitchell F. Chan
by
Mitchell F. Chan
Credit: Michael J. Masucci, (Still from) Standing Waves, 1980-82. Courtesy of the artist
Crypto Histories
Interviews
EZTV and LA’s Digital Underground
Michael J. Masucci charts a history of radical inclusivity in California with Dina Chang
by
Dina Chang
Credit: Installation view of “Patterns of Flow” at NEORT++, Tokyo, 2024. Courtesy of NEORT
Crypto Histories
Patterns of Flow | Revisiting Hiroshi Kawano
Hasaqui Yamanobe looks back at a pioneer of computer art and surveys the new generation of Japanese digital artists
by
Hasaqui Yamanobe
Credit: Shunsuke Takawo, Flows of Pattern, 2024. Courtesy of the artist
Crypto Histories
Art on the Move | Jasia Reichardt
The iconic curator of Cybernetic Serendipity discusses the legacy of the Japanese avant-garde for generative and AI art
by
Jasia Reichardt
Credit: Sarah Meyohas, Bitchcoin (detail), 2015-21. Courtesy of the artist
Crypto Histories
Interviews
The Art of Money
A new show at the Ashmolean Museum considers the place of digital art in the history of currency
by
RCS
Credit: John Maeda, Morisawa 2 (detail), 1996/2024. Courtesy of Gazelli Art House
Crypto Histories
Interviews
The Metamagic of Mathematics
A pioneering generation of artists discusses the creative power of computation with Bronac Ferran
by
Bronac Ferran
Credit: Still from What the Punk!, courtesy of Darjeeling Prod.
Interviews
Crypto Histories
What the Punk!
Jason Bailey speaks with the team behind the new CryptoPunks documentary
by
Jason Bailey
Credit: Vuk Ćosić, ASCII Unreal, 1998. Courtesy of the artist
Crypto Histories
Interviews
On net.art, postinternet, and CryptoArt
Vuk Ćosić, Marisa Olson, Auriea Harvey, and Jason Bailey discuss the changing language of digital art with Alex Estorick
by
Alex Estorick
Infinity Gothic Mutator B+W Drawing. Artist: William Latham using Mutator AI and 3D Physics. Software: Stephen Todd, 2022
Interviews
Crypto Histories
Alternative Evolution | William Latham
Following the release of his Mutator Infinity series, the artist discusses his remarkable career with Rachel Falconer
by
Rachel Falconer
Photo Credit: Bob Ono
Interviews
Crypto Histories
The Blockchain Was Invented For NFTs, Not Currency
A candid interview with the inventors of the blockchain
by
Jason Bailey
Credit: Emi Kusano, Techno-Animism #88, 2023. Courtesy of the artist
Crypto Histories
Digital Art’s Rising Sun
Japan has been central to developments in art and technology from the beginning, argues Junya Yamamine
by
Junya Yamamine
Credit: luluxxx, (Still from) 18 thousand roadtrips, 2023. Courtesy of the artist
Crypto Histories
Zeroone and the New Generosity of Art
A gift economy doesn’t devalue digital art but enriches it, argues Yehudit Mam
by
Yehudit Mam
Credit: Ivan Dianov, Zero-player game #67 (detail), 2023. Courtesy of the artist
Crypto Histories
News
The Art of Radical Inclusivity
The launch of fx(hash) 2.0 makes generative art more open than ever, argues Jason Bailey
by
Jason Bailey
Credit: MoMA Postcard | Pink-Deeplearning-Enamel
Interviews
Crypto Histories
When MoMA Went Web3
The architects of the MoMA Postcard share how they engineered a global work of art with Jason Bailey
by
Jason Bailey
Credit: Julien Gachadoat, Mineral #11 (detail), 2023. Courtesy of the artist
Interviews
Crypto Histories
The Power of the Plotter
Feral File’s new exhibition, +GRAPH, celebrates the art of generative drawing
by
Alex Estorick
Credit: Xelda Jara, (Still from) Roboto Factory, 2021. Courtesy of the artist
Crypto Histories
Art After NFTs
To dismiss NFTs is to discount the communities that rely on them, argues Alex Estorick
by
Alex Estorick
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