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The dominating discourse about AI — not only in art but also in the corporate world — still seems to be about its "generative" features: creating more images, using more tokens, more connectors, more ...

FARRAH CARBONELL@farrahcarbonell

https://www.youtube.com/live/LAOKMPmAmQ4?is=TwToLRpk1MDp1AHD The Future of Patronage — ART VOICES Episode 5 ART VOICES is a live editorial conversation series exploring the questions shaping contempor...

FARRAH CARBONELL@farrahcarbonell

https://x.com/laurentcastell/status/2077394599350284620?s=61

Shakthi Shrima@praxitelean12

In 1859 Baudelaire stood at the Paris Salon and delivered a verdict on photography that he mistook for a description: too easily made, by too many people, for the medium to be anything but the death o...

From the Magazine

The Interview | john gerrard

Whitney Hart · Interviews · Jun '24

When Generative Art Became Contemporary Art

Ariel Hudes · Interviews · Jun '23

Profile (past & present)

Connections

Pieces · 3

Coverage · 2 articles

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In the Forum

From the Magazine

The Interview | john gerrard

When Generative Art Became Contemporary Art

On the Index

Right Click Save— Publication

Los Angeles County Museum of Art— Museum

John Gerrard

Profile (past & present)

Connections

Pieces · 3

Coverage · 2 articles

Featured

Discussed

Read Next

In the Forum

On digestion, going slow and whether the custom AI model still matters

The Future of Patronage — ART VOICES Episode 5

What if 10 collectors were enough?

Is "Slop" just this century's verdict on photography, restaged?

From the Magazine

The Interview | john gerrard

When Generative Art Became Contemporary Art

On the Index

Right Click Save— Publication

Los Angeles County Museum of Art— Museum

John Gerrard