artworkA Lullaby for Euclidby Sarah Ridgley.Profile (past & present)ExhibitionsFEMGENCoverage · 1 articleMentioned2023FEMGEN and the Brave New Art WorldLog in to commentNo comments yet. Be the first to share your thoughts.
ITIvona Tau@ivonatauWho gets to shape our online presence?Who gets to shape our online presence? Lately I've been having anxiety going on twitter or Instagram. I have several accounts: a professional one that acts as a portfolio, a digital art community one, and a curated version of my life on a ...
NNnastaran najafi@nastaranf It Doesn’t Look Good, Nobody Looks Twice!f It Doesn’t Look Good, Nobody Looks Twice! As an artist, what bothers me most these days isn’t the noise around collecting, or even the contradictions within decentralization. It’s something much more fundamental: the way art is being created,...
PPPiter Pasma@piterpasma·1How can generative artists distinguish hand-coded art in the age of AI?How can generative artists distinguish hand-coded art in the age of AI? This question was posted by Art Blocks on Instagram: And I wrote a rather long comment below that post to answer the question, and I figured I should share it, so it doesn’t get lost. How can generati...
CPChiara Passa@chiarapassaThe Quiet Migration: Digital Art After the ShowcaseThe Quiet Migration: Digital Art After the Showcase. It's been a while since I've been sensing a shift in how social networks intersect with digital and contemporary art. Factors like digital-showcase fatigue, fake accounts, bots, and a growing nostalgi...
