I just published a post to Outland’s Substack that I think is of interest to folks here. If nothing else, it’s a kind of response to Giannis’s questoin “What does the NFT space need to thrive?” In the...
I’ve been thinking a lot about the resurgence of trading card aesthetics in NFT art in the last year.. The format has been embraced by emerging artists like terrorism and Evil Biscuit; Beeple released...
I really like the work of artists like Nicolas Sassoon, Raquel Meyers, Kerim Safa, and Kim Asendorf who use pixels (or in Sarah’s case, other obsolete media) not for nostalgia but...
Do you know who’s behind Contemporary100, or what their goal is? Who is their audience? Are they representing those artists? I’ve never heard of them before, but at first glance th...
great reference, thank you!
this article has a few interesting examples: https://ocula.com/magazine/opinion/the-rise-of-polymarket-art-world-speculation/
I loved Martha Schwendener’s book Society of the Screen. It’s about Vilem Flusser, who has become known as a media theorist, but focuses on his engagement with artists and art crit...