peopleGenki NishidaWorks · 3Poesía de ProtestaConcrete BadEl mal concretoCoverage · 1 articleDiscussed2023The Poetics of ProtestLog in to commentNo comments yet. Be the first to share your thoughts.Read Next
JKJoana Kawahara Lino@joanakawaharalinoThe Flea Market of the Art World?The Flea Market of the Art World? Everyone is shouting from their own stall... That has consequences. Let me paint a picture: rows of tables under bad lighting. Everyone is the creator, the exhibitor, the marketer, the dealer, the sal...
CPChiara Passa@chiarapassaThe Quiet Migration: Digital Art After the ShowcaseThe Quiet Migration: Digital Art After the Showcase. It's been a while since I've been sensing a shift in how social networks intersect with digital and contemporary art. Factors like digital-showcase fatigue, fake accounts, bots, and a growing nostalgi...
JKJoana Kawahara Lino@joanakawaharalino·7Are you yearning for the past?Are you yearning for the past? Scroll an art feed right now. You’ll hit dithered gradients, 32-colour palettes, faceted meshes with visible seams. Work that looks like it was made on hardware that no longer exists. The two styles t...
NNnastaran najafi@nastaranf It Doesn’t Look Good, Nobody Looks Twice!f It Doesn’t Look Good, Nobody Looks Twice! As an artist, what bothers me most these days isn’t the noise around collecting, or even the contradictions within decentralization. It’s something much more fundamental: the way art is being created,...
