publicationAnarchival Re-RenderingsConnections (past & present)Parent collectionThe Liminal Review, The Liminal Review 2025Coverage · 1 articleMentioned2025Synthetic Trauma and the Poetics of ErasureLog in to commentNo comments yet. Be the first to share your thoughts.
PPPiter Pasma@piterpasma·1How can generative artists distinguish hand-coded art in the age of AI?How can generative artists distinguish hand-coded art in the age of AI? This question was posted by Art Blocks on Instagram: And I wrote a rather long comment below that post to answer the question, and I figured I should share it, so it doesn’t get lost. How can generati...
FCFARRAH CARBONELL@farrahcarbonellART VOICES: When the Image Becomes a WorldART VOICES: When the Image Becomes a World. ART VOICES Season Two continues with FVCKRENDER and BAEIGE, two artists whose digital practices have expanded into physical works, immersive environments, exhibitions, and FOIL Gallery in Montreal. Th...
CPChiara Passa@chiarapassaThe Quiet Migration: Digital Art After the ShowcaseThe Quiet Migration: Digital Art After the Showcase. It's been a while since I've been sensing a shift in how social networks intersect with digital and contemporary art. Factors like digital-showcase fatigue, fake accounts, bots, and a growing nostalgi...
PDPrimavera De Filippi@primavera·7Designed for failure: OpenAI's hack to HuggingFaceDesigned for failure: OpenAI's hack to HuggingFace. Last week, the first AI-to-AI hack just happened: OpenAI was benchmarking a pre-release model on offensive cyber capabilities (with guardrails off) and the model decided the easiest way to win the ben...
