publicationThe Liminal Review 2025Connections (past & present)Parent collectionThe Liminal ReviewPieces · 4New Signals in Arts TechnologiesAnarchival Re-RenderingsSynthetic Trauma and the Poetics of ErasureTechno-spiritualism and Digital Animism
FCFARRAH CARBONELL@farrahcarbonellART VOICES: When the Image Becomes a WorldART VOICES: When the Image Becomes a World. ART VOICES Season Two continues with FVCKRENDER and BAEIGE, two artists whose digital practices have expanded into physical works, immersive environments, exhibitions, and FOIL Gallery in Montreal. Th...
PPPiter Pasma@piterpasma·1How can generative artists distinguish hand-coded art in the age of AI?How can generative artists distinguish hand-coded art in the age of AI? This question was posted by Art Blocks on Instagram: And I wrote a rather long comment below that post to answer the question, and I figured I should share it, so it doesn’t get lost. How can generati...
BDBrian Droitcour@briandroitcourThe State of Digital Art WritingThe State of Digital Art Writing. I just published a post to Outland’s Substack that I think is of interest to folks here. If nothing else, it’s a kind of response to Giannis’s questoin “What does the NFT space need to thrive?” In the...
JKJoana Kawahara Lino@joanakawaharalinoThe Flea Market of the Art World?The Flea Market of the Art World? Everyone is shouting from their own stall... That has consequences. Let me paint a picture: rows of tables under bad lighting. Everyone is the creator, the exhibitor, the marketer, the dealer, the sal...
