Du Cycle: Segments et leurs Croisements No. 8 (Of the Cycle: Segments and their Intersections)

In the Forum

Hello RCSers! Not sure how other people are interacting with the forum, but I’m finding it challenging to spot new interesting discussions before the seem to fizzle out. I like that discussions end up...

Shakthi Shrima@praxitelean12

In 1859 Baudelaire stood at the Paris Salon and delivered a verdict on photography that he mistook for a description: too easily made, by too many people, for the medium to be anything but the death o...

Brian Droitcour@briandroitcour

I’ve been thinking a lot about the resurgence of trading card aesthetics in NFT art in the last year.. The format has been embraced by emerging artists like terrorism and Evil Biscuit; Beeple released...

aurèce vettier@aurecevettier12

The dominating discourse about AI — not only in art but also in the corporate world — still seems to be about its "generative" features: creating more images, using more tokens, more connectors, more ...

From the Magazine

The Case for Classical Music NFTs

Christos A. Makridis and Soula Parassidis · News · Jan '22

Du Cycle: Segments et leurs Croisements No. 8 (Of the Cycle: Segments and their Intersections)

Profile (past & present)

Coverage · 1 article

Mentioned

Read Next

In the Forum

From the Magazine

The Case for Classical Music NFTs

On the Index

Vera Molnár— Abstract painter

John Cage— Person

The Anne and Michael Spalter Digital Art Collection

Profile (past & present)

Coverage · 1 article

Mentioned

Read Next

In the Forum

Forum RSS?

Is "Slop" just this century's verdict on photography, restaged?

Trading Card Aesthetics

On digestion, going slow and whether the custom AI model still matters

From the Magazine

The Case for Classical Music NFTs

On the Index

Vera Molnár— Abstract painter

John Cage— Person

The Anne and Michael Spalter Digital Art Collection