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The online magazine for critical conversation about the expanding art world.

B. Bogart

Forum Posts (2)

The Margins of Realism | The Realism of Margins

Hey All! I thought I would share this bit of experimental writing, which I referenced in my comment on this thread, reflecting on knowledge, AGI, epistemology, disability, politics, queerness and more...

66 flowers·Commentary·3 months ago

Forum RSS?

Hello RCSers! Not sure how other people are interacting with the forum, but I’m finding it challenging to spot new interesting discussions before the seem to fizzle out. I like that discussions end up...

55 flowers·Meta·3 months ago·1

Comments (9)

1. George Legrady’s “Pockets Full of Memories,” 2001 (The first artwork I learned about that uses a neural network to create images) 2. David Rokeby’s “The Giver of Names (1990-)”...

onWhat are your digital art "classics"?·8 days ago

Hi Primavera! (Maybe we should ask for a better threaded way of conversations like this working!) 1. Indeed you could train a DCN on any matrix information, from fields to spectrog...

onDesigned for failure: OpenAI's hack to HuggingFace·2 months ago

I switched from ‘AI’ to ‘ML’ around 2015... Almost no one uses ML anymore, so it still has some semantic growth when AI now just means LLM chatbot.

onRepeat the word "AI" 100 times until it does not mean anything·2 months ago

Indeed too nested discussion does not seem to work, so here I am too! I think it comes down to what we mean by the “space” explored; I would not assert this is the “latent” space l...

onDesigned for failure: OpenAI's hack to HuggingFace·3 months ago

Posted! https://www.rightclicksave.com/post/41/the-margins-of-realism-the-realism-of-margins

onOn digestion, going slow and whether the custom AI model still matters·3 months ago
BB

@bbogart

Joined Jul 2026

2 posts9

Ben Bogart (they/them) is a neurodivergent non-binary agender adisciplinary artist working for 25 years with generative computational processes and by the natural sciences. Ben has presented works nationally and internationally in artistic and academic contexts.