Matthew Barney’s Cremaster 2 . It has that thing I love in Cocteau and Fellini, where beauty is never far from grotesquerie and symbolism feels closer to dream logic than something...
oh my goodness- definitely jealous @danielle —what an extraordinary person to have studied with! I wonder whether the difficulty is not only critical distance but archival survival...
Thanks @axel :) I’d be very curious to hear your thoughts on whether you see “slop” as a useful critical category at all, or whether the term forecloses the kind of looking it clai...
Looking beyond the contemporary silo of work already classified as “digital,” the historical precedents become a little more interesting I think - one that comes to mind is Duchamp...
Really enjoying this thread, and such a good prompt from @simon to narrow in on prediction markets and futarchy specifically, since I think it's a slightly different (and rarer) th...