Mary Heilmann: All Tomorrow's Parties

In the Forum

It's been a while since I've been sensing a shift in how social networks intersect with digital and contemporary art. Factors like digital-showcase fatigue, fake accounts, bots, and a growing nostalgi...

Joana Kawahara Lino@joanakawaharalino7

Scroll an art feed right now. You’ll hit dithered gradients, 32-colour palettes, faceted meshes with visible seams. Work that looks like it was made on hardware that no longer exists. The two styles t...

Joana Kawahara Lino@joanakawaharalino

Everyone is shouting from their own stall... That has consequences. Let me paint a picture: rows of tables under bad lighting. Everyone is the creator, the exhibitor, the marketer, the dealer, the sal...

Brian Droitcour@briandroitcour

I just published a post to Outland’s Substack that I think is of interest to folks here. If nothing else, it’s a kind of response to Giannis’s questoin “What does the NFT space need to thrive?” In the...

From the Magazine

A Painter for the Digital Age | Mary Heilmann (1940-2026)

Louis Jebb · News · Sep '26

Mary Heilmann: All Tomorrow's Parties

Profile (past & present)

Coverage · 1 article

Mentioned

Read Next

In the Forum

From the Magazine

A Painter for the Digital Age | Mary Heilmann (1940-2026)

On the Index

Vera Molnár— Abstract painter

Right Click Save— Publication

School of Visual Arts

Profile (past & present)

Coverage · 1 article

Mentioned

Read Next

In the Forum

The Quiet Migration: Digital Art After the Showcase

Are you yearning for the past?

The Flea Market of the Art World?

The State of Digital Art Writing

From the Magazine

A Painter for the Digital Age | Mary Heilmann (1940-2026)

On the Index

Vera Molnár— Abstract painter

Right Click Save— Publication

School of Visual Arts