organizationProcessing Community JapanCollective spaceConnections (past & present)MembersSenbaku, Shunsuke TakawoSome roles and affiliations may be former.Coverage · 2 articlesDiscussed2023Generative Art and Japan’s Bright FutureMentioned2022Shunsuke Takawo on Generative Art in Japan
PDPrimavera De Filippi@primavera·26When was the last time you were surprised by AI?When was the last time you were surprised by AI? I’m often impressed by the quality of AI, sometimes I’m even fooled into believing that something that is not real is real, but I’m hardly ever “surprised” by seeing something I had never seen before,...
CPChiara Passa@chiarapassaThe Quiet Migration: Digital Art After the ShowcaseThe Quiet Migration: Digital Art After the Showcase. It's been a while since I've been sensing a shift in how social networks intersect with digital and contemporary art. Factors like digital-showcase fatigue, fake accounts, bots, and a growing nostalgi...
NNnastaran najafi@nastaranf It Doesn’t Look Good, Nobody Looks Twice!f It Doesn’t Look Good, Nobody Looks Twice! As an artist, what bothers me most these days isn’t the noise around collecting, or even the contradictions within decentralization. It’s something much more fundamental: the way art is being created,...
PPPiter Pasma@piterpasma·1How can generative artists distinguish hand-coded art in the age of AI?How can generative artists distinguish hand-coded art in the age of AI? This question was posted by Art Blocks on Instagram: And I wrote a rather long comment below that post to answer the question, and I figured I should share it, so it doesn’t get lost. How can generati...