MagazineForumIndex
Right Click Save
SubscribeLog in
MagazineForumIndex
Right Click Save
SubscribeLog in
Right Click Save
Magazine
  • Interviews
  • Analysis
  • News
  • Histories
  • Comment
  • Quarterly
Forum
  • Commentary
  • Resources
  • Events
  • Opportunities
  • Promotion
  • Meta
Index
  • People
  • Works
  • Organizations
  • Events
  • Concepts
  • Places
Newsletter / SubscribeJoin the waitlist
Sign in
NewsletterJoin the waitlistAboutContactWrite for usLegalPrivacy

Subscribe to our newsletter

The online magazine for critical conversation about the expanding art world.

PeopleWorksEventsOrganizationsConceptsPlaces
people

Matt Kane

artist.

Matt Kane is an artist that turned to the power of code and computing to make his richly layered and patterned visions into reality. Through the custom software he designs, Kane leverages generative algorithms to produce vibrant artworks addressing the most varied themes. His recent collection, Gazers (2021), has attracted a community that actively discusses the artwork as it transforms every moment, tracking our moon’s lunar cycles. Kane spearheaded the effort to make secondary sale royalties a standard for artists across all NFT platforms.

From Can Web3 Automate Equity?, October 2022

Profile (past & present)

Roles
Artist

About this page

This page reflects how this person appears across Right Click Save's coverage. The details shown here come from our writing, not a complete profile. About the Index →

Suggest a correction →

Works · 6

Another Dime
Archive for Meules after Claude Monet
Gazers #130
Gazers #70
Gazers
Meules after Claude Monet

Coverage · 8 articles

Featured

  • 2022Can Web3 Automate Equity?

Discussed

  • 2022Time On The Blockchain

Mentioned

  • 2026On Collecting | From Pascal Boyart to Vera Molnar
  • 2026A-Z of Digital Art 2026
  • 2023On Curation | Yusuke Shono
  • 2023When Generative Art Became Contemporary Art
  • 2023How To Do Your Own Research
  • 2022What you Need to Know about NFTs and Taxes

Log in to comment

No comments yet. Be the first to share your thoughts.

Read Next

In the Forum

BD
Brian Droitcour@briandroitcour

The State of Digital Art Writing

The State of Digital Art Writing. I just published a post to Outland’s Substack that I think is of interest to folks here. If nothing else, it’s a kind of response to Giannis’s questoin “What does the NFT space need to thrive?” In the...

PG
Pierre Gervois@pgervois·8

Five years after 2021: Where is digital art heading to?

Five years after 2021: Where is digital art heading to? Okay, let’s address the elephant in the room. We all have this nostalgia for the extraordinary moments we were part of in 2021, when we witnessed an explosion of art conversations catalyzed by the arr...

NN
nastaran najafi@nastaran

f It Doesn’t Look Good, Nobody Looks Twice!

f It Doesn’t Look Good, Nobody Looks Twice! As an artist, what bothers me most these days isn’t the noise around collecting, or even the contradictions within decentralization. It’s something much more fundamental: the way art is being created,...

CM
Catherine Mason@cathcomputerart

Victor Acevedo at Goldsmiths 6 October

Victor Acevedo at Goldsmiths 6 October. If you are in London next week, please join me for an event I’m hosting at Goldsmiths with Victor Acevedo, visiting from LA. More info :

From the Magazine

On Collecting | From Pascal Boyart to Vera Molnar

Giannis Sourdis · Interviews · Feb '26

A-Z of Digital Art 2026

RCS · News · Jan '26

On the Index

Right Click Save— Publication