peopleMark Leckeyb. 1964.Works · 1Fiorucci Made Me HardcoreCoverage · 2 articlesMentioned2026On Screens | Jefferson Hack and Susanna Davies-Crook2026New Shows to See Around The WorldLog in to commentNo comments yet. Be the first to share your thoughts.
CPChiara Passa@chiarapassaThe Quiet Migration: Digital Art After the ShowcaseThe Quiet Migration: Digital Art After the Showcase. It's been a while since I've been sensing a shift in how social networks intersect with digital and contemporary art. Factors like digital-showcase fatigue, fake accounts, bots, and a growing nostalgi...
NNnastaran najafi@nastaranf It Doesn’t Look Good, Nobody Looks Twice!f It Doesn’t Look Good, Nobody Looks Twice! As an artist, what bothers me most these days isn’t the noise around collecting, or even the contradictions within decentralization. It’s something much more fundamental: the way art is being created,...
PPPiter Pasma@piterpasma·1How can generative artists distinguish hand-coded art in the age of AI?How can generative artists distinguish hand-coded art in the age of AI? This question was posted by Art Blocks on Instagram: And I wrote a rather long comment below that post to answer the question, and I figured I should share it, so it doesn’t get lost. How can generati...
Ssimon·14art and prediction markets?art and prediction markets? what are the best historical and contemporary examples of artists working with/about prediction markets or broader futarchy related concepts?
