Borrowed Lives: Anon

In the Forum

I really value this new space for conversations, at the intersection of digital and physical art practices. I hope we can have here (I saw familiar faces!) very open conversations and confront ideas. ...

aurèce vettier@aurecevettier9

The dominating discourse about AI — not only in art but also in the corporate world — still seems to be about its "generative" features: creating more images, using more tokens, more connectors, more ...

Shakthi Shrima@praxitelean12

In 1859 Baudelaire stood at the Paris Salon and delivered a verdict on photography that he mistook for a description: too easily made, by too many people, for the medium to be anything but the death o...

B. Bogart@bbogart1

Hello RCSers! Not sure how other people are interacting with the forum, but I’m finding it challenging to spot new interesting discussions before the seem to fizzle out. I like that discussions end up...

From the Magazine

Ed Fornieles | Borrowed Online Lives

Anika Meier · Interviews · Jul '26

Profile (past & present)

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In the Forum

From the Magazine

Ed Fornieles | Borrowed Online Lives

On the Index

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Ars Electronica— Festival

University of Applied Arts Vienna

Profile (past & present)

Coverage · 1 article

Featured

Read Next

In the Forum

I started to create digital art because I was broke, not because I choose the medium

On digestion, going slow and whether the custom AI model still matters

Is "Slop" just this century's verdict on photography, restaged?

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From the Magazine

Ed Fornieles | Borrowed Online Lives

On the Index

Right Click Save— Publication

Ars Electronica— Festival

University of Applied Arts Vienna