Ready to Die

In the Forum

Lately I've been having anxiety going on twitter or Instagram. I have several accounts: a professional one that acts as a portfolio, a digital art community one, and a curated version of my life on a ...

Piter Pasma@piterpasma1

This question was posted by Art Blocks on Instagram: And I wrote a rather long comment below that post to answer the question, and I figured I should share it, so it doesn’t get lost. How can generati...

Joana Kawahara Lino@joanakawaharalino

Everyone is shouting from their own stall... That has consequences. Let me paint a picture: rows of tables under bad lighting. Everyone is the creator, the exhibitor, the marketer, the dealer, the sal...

Chiara Passa@chiarapassa

It's been a while since I've been sensing a shift in how social networks intersect with digital and contemporary art. Factors like digital-showcase fatigue, fake accounts, bots, and a growing nostalgi...

From the Magazine

Serpentine Names First Cohort of Fellows Researching AI’s Effects on Society

Louis Jebb · News · Sep '26

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In the Forum

From the Magazine

Serpentine Names First Cohort of Fellows Researching AI’s Effects on Society

On the Index

Right Click Save— Publication

Victoria and Albert Museum— Museum

Centre Pompidou— Museum

Profile (past & present)

Connections

Featured works · 1

Coverage · 1 article

Mentioned

Read Next

In the Forum

Who gets to shape our online presence?

How can generative artists distinguish hand-coded art in the age of AI?

The Flea Market of the Art World?

The Quiet Migration: Digital Art After the Showcase

From the Magazine

Serpentine Names First Cohort of Fellows Researching AI’s Effects on Society

On the Index

Right Click Save— Publication

Victoria and Albert Museum— Museum

Centre Pompidou— Museum