Bright Moments Tokyo

In the Forum

If the dead internet theory holds, we are all operating in a kind of cultural afterlife: producing for systems that consume without reading, circulating ideas through networks that route them back bef...

Aleksandra Art@aart22

Not the most important, not the most expensive, not the most technically impressive - the last one that actually got you. Stopped your scroll, stayed in your head, made you feel something you didn't e...

B. Bogart@bbogart

Hey All! I thought I would share this bit of experimental writing, which I referenced in my comment on this thread, reflecting on knowledge, AGI, epistemology, disability, politics, queerness and more...

FARRAH CARBONELL@farrahcarbonell

https://x.com/laurentcastell/status/2077394599350284620?s=61

From the Magazine

The Interview | Kim Asendorf

River Davis · Interviews · Jan '24

Profile (past & present)

Connections

Featured works · 2

Coverage · 5 articles

Discussed

Mentioned

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In the Forum

From the Magazine

The Interview | Kim Asendorf

When Generative Art Became Contemporary Art

On the Index

Anna Ridler— Artist

AARON— Work

Art Basel Hong Kong— Fair

Profile (past & present)

Connections

Featured works · 2

Coverage · 5 articles

Discussed

Mentioned

Read Next

In the Forum

Yelling Into The Void

What's the last digital artwork that actually moved you?

The Margins of Realism | The Realism of Margins

What if 10 collectors were enough?

From the Magazine

The Interview | Kim Asendorf

When Generative Art Became Contemporary Art

On the Index

Anna Ridler— Artist

AARON— Work

Art Basel Hong Kong— Fair