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2022The Lumen Interview | Nye Thompson and UBERMORGEN

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In the Forum

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Piter Pasma@piterpasma·1

How can generative artists distinguish hand-coded art in the age of AI?

This question was posted by Art Blocks on Instagram: And I wrote a rather long comment below that post to answer the question, and I figured I should share it, so it doesn’t get lost. How can generati...

Joana Kawahara Lino@joanakawaharalino·2

What are your digital art "classics"?

In a movement that is still so young, working with even younger media, what would you call a classic in the digital art sense? When it comes to art history books, my brain immediately goes to titles l...

Joana Kawahara Lino@joanakawaharalino·7

Are you yearning for the past?

Scroll an art feed right now. You’ll hit dithered gradients, 32-colour palettes, faceted meshes with visible seams. Work that looks like it was made on hardware that no longer exists. The two styles t...

FARRAH CARBONELL@farrahcarbonell

ART VOICES returns: Film, Music & New Media

ART VOICES returns this week for Season Two with a conversation around film, music, and new media. We’re opening with two artists working across very different forms, but circling a similar question: ...

From the Magazine

The Lumen Interview | Nye Thompson and UBERMORGEN

Mila Askarova · Interviews · Sep '22

On the Index

Holly Herndon— Artist

Facetune Portraits— Work

Coded: Art Enters the Computer Age, 1952-1982— Event