peopleIsabella WilkinsonIsabella Wilkinson is a freelance art writer and gallery manager with a Masters in Modernism and Postmodernism from The Courtauld Institute of Art. She has worked for Christie’s, Clarendon Fine Art, Frieze Art Fair, Artvisor, Galerie Boulakia, and the Peggy Guggenheim Collection.From NFTs and the Revenge of Surrealism, May 2022
NNnastaran najafi@nastaranf It Doesn’t Look Good, Nobody Looks Twice!f It Doesn’t Look Good, Nobody Looks Twice! As an artist, what bothers me most these days isn’t the noise around collecting, or even the contradictions within decentralization. It’s something much more fundamental: the way art is being created,...
PPPiter Pasma@piterpasma·1How can generative artists distinguish hand-coded art in the age of AI?How can generative artists distinguish hand-coded art in the age of AI? This question was posted by Art Blocks on Instagram: And I wrote a rather long comment below that post to answer the question, and I figured I should share it, so it doesn’t get lost. How can generati...
BDBrian Droitcour@briandroitcourThe State of Digital Art WritingThe State of Digital Art Writing. I just published a post to Outland’s Substack that I think is of interest to folks here. If nothing else, it’s a kind of response to Giannis’s questoin “What does the NFT space need to thrive?” In the...
PDPrimavera De Filippi@primavera·26When was the last time you were surprised by AI?When was the last time you were surprised by AI? I’m often impressed by the quality of AI, sometimes I’m even fooled into believing that something that is not real is real, but I’m hardly ever “surprised” by seeing something I had never seen before,...
