MagazineForumIndex
Right Click Save
SubscribeLog in
MagazineForumIndex
Right Click Save
SubscribeLog in
Right Click Save
Magazine
  • Interviews
  • Analysis
  • News
  • Histories
  • Comment
  • Quarterly
Forum
  • Commentary
  • Resources
  • Events
  • Opportunities
  • Promotion
  • Meta
Index
  • People
  • Works
  • Organizations
  • Events
  • Concepts
  • Places
Newsletter / SubscribeJoin the waitlist
Sign in
NewsletterJoin the waitlistAboutContactWrite for usLegalPrivacy

Subscribe to our newsletter

The online magazine for critical conversation about the expanding art world.

PeopleWorksEventsOrganizationsConceptsPlaces
people

Charlotte Kent

arts writer.

Charlotte Kent is an arts writer based in New York City and Associate Professor of Visual Culture and Head of Visual and Critical Studies at Montclair State University. She is co-editor of Contemporary Absurdities, Existential Crises, and Visual Art (Intellect Books, 2024), co-author of Midnight Moment: A Decade of Artists in Times Square (Monacelli, 2024), and an Editor-at-Large for The Brooklyn Rail . With ongoing research supported by the National Endowment for the Humanities: Dangers & Opportunities of Technology and Google’s Artist + Machine Intelligence grants, she also serves on the College Art Association’s Committee on Intellectual Property.

From AI | ALTERNATIVE INTENTIONS, March 2025

Profile (past & present)

Roles
Writer, Arts writer, Assistant professor, Curator and

Connections

Affiliations
Montclair State University, College Art Association, The Brooklyn Rail
Teaching
Montclair State University

Some roles and affiliations may be former.

About this page

This page reflects how this person appears across Right Click Save's coverage. The details shown here come from our writing, not a complete profile. About the Index →

Suggest a correction →

Authored Articles on Right Click Save

  • 2026A Connected Art World Works Both Ways
  • 2023Pixel Art and the Age of Technostalgia
  • 2022Time On The Blockchain
  • 2022Brendan Dawes and the Art of Lost Time
  • 2022EPOCH Gallery and Blockchain’s New Ecology
  • 2022The Life and Times of the NFT
  • 2022In Search of an Aesthetics of Smart Contracts

Coverage · 21 articles

Featured

  • 2026A-Z of Digital Art 2026

Discussed

  • 2026A Connected Art World Works Both Ways
  • 2025AI | ALTERNATIVE INTENTIONS
  • 2023The Space of Critical Immersion
  • 2023Pixel Art and the Age of Technostalgia
  • 2022Time On The Blockchain
  • 2022Brendan Dawes and the Art of Lost Time
  • 2022EPOCH Gallery and Blockchain’s New Ecology
  • 2022The Life and Times of the NFT

Mentioned

  • 2026The Canons of Digital Art
  • 2025Right Click Save’s Top 10 Stories in 2025
  • 2025Zero 10 | Digital Art Goes Mainstream at Art Basel
  • 2024Living Artwork | Alexandra Daisy Ginsberg
  • 2024The Lumen Prize | Yuqian Sun
  • 2024Herndon, Dryhurst, and Hobbs on Liquid Images
  • 2024The Interview | Matt DesLauriers
  • 2024ANNOUNCING THE RCS BOOK
  • 2022Are NFTs Really a Wild West?
  • 2022NFTs and the Revenge of Surrealism
  • 2022In Search of an Aesthetics of Smart Contracts
  • 2022The Hybrid Art of Claudia Hart

Log in to comment

No comments yet. Be the first to share your thoughts.

Read Next

In the Forum

CP
Chiara Passa@chiarapassa

The Quiet Migration: Digital Art After the Showcase

The Quiet Migration: Digital Art After the Showcase. It's been a while since I've been sensing a shift in how social networks intersect with digital and contemporary art. Factors like digital-showcase fatigue, fake accounts, bots, and a growing nostalgi...

PG
Pierre Gervois@pgervois·7

Five years after 2021: Where is digital art heading to?

Five years after 2021: Where is digital art heading to? Okay, let’s address the elephant in the room. We all have this nostalgia for the extraordinary moments we were part of in 2021, when we witnessed an explosion of art conversations catalyzed by the arr...

IT
Ivona Tau@ivonatau

Who gets to shape our online presence?

Who gets to shape our online presence? Lately I've been having anxiety going on twitter or Instagram. I have several accounts: a professional one that acts as a portfolio, a digital art community one, and a curated version of my life on a ...

BD
Brian Droitcour@briandroitcour

The State of Digital Art Writing

The State of Digital Art Writing. I just published a post to Outland’s Substack that I think is of interest to folks here. If nothing else, it’s a kind of response to Giannis’s questoin “What does the NFT space need to thrive?” In the...

From the Magazine

A Connected Art World Works Both Ways

Charlotte Kent · Comment · Jun '26

The Canons of Digital Art

Alex Estorick · Interviews · Jan '26

On the Index

Right Click Save— Publication