Nora N. Khan

In the Forum

After months of not travelling for art events I visited Lisbon to attend the Non-Fungible Conference 2 weeks ago. Something that I kept being asked was "What happened to those Gay NFTs" My response wa...

Louis Jebb@louisjebb

Musing on all the new institutions opening in 2026, I was recently struck by a point made by Efsun Erkiliç, co-founder, with Refik Anadol, of Refik Anadol Studio (RAS), about institutional “stamina”. ...

Right Click Save@rightclicksave

Right Click Save has been curating conversations at the intersection of art and technology since 2022. Now we’ve built a better place to host them. Our new website has three sections: the Magazine , t...

Alex Estorick@axel2

If technostalgia is a defining characteristic of technocapitalism then it’s hard not to regard BOC’s new album “Inferno” as a pure expression of that tendency. The group’s characteristically euphoric ...

From the Magazine

Landscape as Memory | Connie Bakshi’s “Black Water”

Nora N. Khan and Connie Bakshi · Interviews · Jun '26

Profile (past & present)

Connections

Coverage · 1 article

Discussed

Read Next

In the Forum

From the Magazine

Landscape as Memory | Connie Bakshi’s “Black Water”

On the Index

Bright Moments— Gallery

Right Click Save— Publication

Institute of Contemporary Arts— Gallery

Profile (past & present)

Connections

Coverage · 1 article

Discussed

Read Next

In the Forum

Avant/Gay NFTs are dead. Long live Avant/Gay NFTs.

Institutional Stamina

Enter the Forum

Boards of Canada | Inferno

From the Magazine

Landscape as Memory | Connie Bakshi’s “Black Water”

On the Index

Bright Moments— Gallery

Right Click Save— Publication

Institute of Contemporary Arts— Gallery