organizationRhode Island School of DesignEducational institutionProfile (past & present)LeadersJohn MaedaConnectionsFacultyMarisa Olson, Nora N. Khan
PPPiter Pasma@piterpasma·1How can generative artists distinguish hand-coded art in the age of AI?How can generative artists distinguish hand-coded art in the age of AI? This question was posted by Art Blocks on Instagram: And I wrote a rather long comment below that post to answer the question, and I figured I should share it, so it doesn’t get lost. How can generati...
PDPrimavera De Filippi@primavera·7Designed for failure: OpenAI's hack to HuggingFaceDesigned for failure: OpenAI's hack to HuggingFace. Last week, the first AI-to-AI hack just happened: OpenAI was benchmarking a pre-release model on offensive cyber capabilities (with guardrails off) and the model decided the easiest way to win the ben...
ITIvona Tau@ivonatauWho gets to shape our online presence?Who gets to shape our online presence? Lately I've been having anxiety going on twitter or Instagram. I have several accounts: a professional one that acts as a portfolio, a digital art community one, and a curated version of my life on a ...
Ssimon·14art and prediction markets?art and prediction markets? what are the best historical and contemporary examples of artists working with/about prediction markets or broader futarchy related concepts?
Landscape as Memory | Connie Bakshi’s “Black Water”Nora N. Khan and Connie Bakshi · Interviews · Jun '26
Crypto Collectibles, Museum Funding and OpenGLAM: Challenges, Opportunities and the Potential of Non-Fungible Tokens (NFTs)— Work
