Philip Glass

In the Forum

The dominating discourse about AI — not only in art but also in the corporate world — still seems to be about its "generative" features: creating more images, using more tokens, more connectors, more ...

Ivona Tau@ivonatau2

I was thinking recently about how we stopped using the word NFT (while continuing to use the same tools), and today of course, we have another overused word that is starting to lose its meaning. On my...

B. Bogart@bbogart

Hey All! I thought I would share this bit of experimental writing, which I referenced in my comment on this thread, reflecting on knowledge, AGI, epistemology, disability, politics, queerness and more...

Brian Droitcour@briandroitcour

I’ve been thinking a lot about the resurgence of trading card aesthetics in NFT art in the last year.. The format has been embraced by emerging artists like terrorism and Evil Biscuit; Beeple released...

From the Magazine

Brendan Dawes and the Art of Lost Time

Charlotte Kent · Interviews · Jun '22

The Generative Art of Marcelo Soria-Rodriguez

Marcelo Soria-Rodriguez · Histories · Feb '22

Coverage · 2 articles

Mentioned

Read Next

In the Forum

From the Magazine

Brendan Dawes and the Art of Lost Time

The Generative Art of Marcelo Soria-Rodriguez

On the Index

Louis Jebb— Managing Editor

Right Click Save: The New Digital Art Community— Work

New Museum

Coverage · 2 articles

Mentioned

Read Next

In the Forum

On digestion, going slow and whether the custom AI model still matters

Repeat the word "AI" 100 times until it does not mean anything

The Margins of Realism | The Realism of Margins

Trading Card Aesthetics

From the Magazine

Brendan Dawes and the Art of Lost Time

The Generative Art of Marcelo Soria-Rodriguez

On the Index

Louis Jebb— Managing Editor

Right Click Save: The New Digital Art Community— Work

New Museum