Conversations with Bina48

In the Forum

In 1859 Baudelaire stood at the Paris Salon and delivered a verdict on photography that he mistook for a description: too easily made, by too many people, for the medium to be anything but the death o...

B. Bogart@bbogart

Hey All! I thought I would share this bit of experimental writing, which I referenced in my comment on this thread, reflecting on knowledge, AGI, epistemology, disability, politics, queerness and more...

Primavera De Filippi@primavera24

I’m often impressed by the quality of AI, sometimes I’m even fooled into believing that something that is not real is real, but I’m hardly ever “surprised” by seeing something I had never seen before,...

aurèce vettier@aurecevettier12

The dominating discourse about AI — not only in art but also in the corporate world — still seems to be about its "generative" features: creating more images, using more tokens, more connectors, more ...

From the Magazine

The Artists Who Rewired Web2

Nina Knaack · Histories · Jul '23

Profile (past & present)

Coverage · 2 articles

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In the Forum

From the Magazine

The Artists Who Rewired Web2

When Stephanie Dinkins Met Harm van den Dorpel

On the Index

Stephanie Dinkins— Artist

Secret Garden— by Stephanie Dinkins

Profile (past & present)

Coverage · 2 articles

Discussed

Mentioned

Read Next

In the Forum

Is "Slop" just this century's verdict on photography, restaged?

The Margins of Realism | The Realism of Margins

When was the last time you were surprised by AI?

On digestion, going slow and whether the custom AI model still matters

From the Magazine

The Artists Who Rewired Web2

When Stephanie Dinkins Met Harm van den Dorpel

On the Index

Stephanie Dinkins— Artist

Secret Garden— by Stephanie Dinkins