Ursula K. Le Guin

In the Forum

where do we belong? I’ve always had a discomfort around the use of “digital art” ,my gut feeling is that it is the contemporary version of “computer art”; genre in aesthetic and process. but so many o...

Pierre Gervois@pgervois7

Okay, let’s address the elephant in the room. We all have this nostalgia for the extraordinary moments we were part of in 2021, when we witnessed an explosion of art conversations catalyzed by the arr...

B. Bogart@bbogart

Hey All! I thought I would share this bit of experimental writing, which I referenced in my comment on this thread, reflecting on knowledge, AGI, epistemology, disability, politics, queerness and more...

Ivona Tau@ivonatau2

I was thinking recently about how we stopped using the word NFT (while continuing to use the same tools), and today of course, we have another overused word that is starting to lose its meaning. On my...

From the Magazine

Landscape as Memory | Connie Bakshi’s “Black Water”

Nora N. Khan and Connie Bakshi · Interviews · Jun '26

The Interview | CROSSLUCID

Katharina Weinstock · Interviews · Oct '25

Works · 2

Coverage · 2 articles

Discussed

Mentioned

Read Next

In the Forum

From the Magazine

Landscape as Memory | Connie Bakshi’s “Black Water”

The Interview | CROSSLUCID

On the Index

EPOCH Gallery— Gallery

Works · 2

Coverage · 2 articles

Discussed

Mentioned

Read Next

In the Forum

media digital computer hardware software

Five years after 2021: Where is digital art heading to?

The Margins of Realism | The Realism of Margins

Repeat the word "AI" 100 times until it does not mean anything

From the Magazine

Landscape as Memory | Connie Bakshi’s “Black Water”

The Interview | CROSSLUCID

On the Index

EPOCH Gallery— Gallery