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The online magazine for critical conversation about the expanding art world.

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Recent Comments

  • CM

    Catherine Mason@cathcomputerart7 days ago

    Edward Ihnatowicz’s Senster of 1970

    What are your digital art "classics"?

  • BB

    B. Bogart@bbogart10 days ago

    1. George Legrady’s “Pockets Full of Memories,” 2001 (The first artwork I learned about that uses a neural network to create images) 2. David Rokeby’s “The Giver of Names (1990-)” (Got to experience this one in person)

    What are your digital art "classics"?

  • JK

    Joana Kawahara Lino@joanakawaharalino21 days ago

    I’m a firm believer that initiatives like this make the digital art space infinitely more interesting. This feels authentic, native, and genuinely explorative of what digital can do, rather than an attempt to fit in with…

    On Digital Art’s Physical Demands

  • A

    Auriea24 days ago

    @joanakawaharalino I can’t find where to reply to your last comment so I will put it here: Honestly? Mostly no. Or rather, the word that survived was usually someone else's. With Tale of Tales we got so tired of "is it a…

    An Interview with Olia Lialina

  • JK

    Joana Kawahara Lino@joanakawaharalino24 days ago

    Thank you, Auriea. The "what is a game" story landed for me. I think anyone who has spent years explaining what they do to people who arrived with a different definition knows that exhaustion, and I understand why "digit…

    An Interview with Olia Lialina

  • A

    Auriea26 days ago

    That’s a whole question... I find myself agreeing with Olia in that “digital” is a call for calm... I call myself a “digital artist” so that I don’t have to explain myself all the time. I remember fighting over “what is …

    An Interview with Olia Lialina

  • JK

    Joana Kawahara Lino@joanakawaharalino27 days ago

    I would LOVE to hear our community’s thoughts on this, because thirty years in and Lialina says the fight has mostly been over words. "A lot of my 30 years as a net artist have been about fighting over words and their me…

    An Interview with Olia Lialina

  • JM

    James Merrill@jamesmerrill1 month ago

    Oh just a little! There’s much more that I am keeping close to the vest. I’ll elaborate a bit more on my personal findings in Pixel Art world. Just as the writer or illustrator meticulously sets the stage for creation, t…

    Are you yearning for the past?

  • AE

    Alex Estorick@axel1 month ago

    I’m completely in agreement here @jamesmerrill but fear your secret is out ..

    Are you yearning for the past?

  • JM

    James Merrill@jamesmerrill1 month ago

    I am secretly obsessed with pixel art, and it’s a goal of mine to begin really foraging through generative pixel art systems. On one hand, a good pixel artist is making critical decisions on a pixel-by-pixel basis, caref…

    Are you yearning for the past?

  • JK

    Joana Kawahara Lino@joanakawaharalino1 month ago

    I love the way they created such an appropriate dialogue between art and technology, especially considering Shenzhen’s industrial history!

    A Prototype of the Future | Shenzhen’s First Art and Technology Biennale

  • IT

    Ivona Tau@ivonatau1 month ago

    Thank you Joana! On the digital-native galleries makes sense when it’s framed this way. I was just wondering whether digital-native galleries operate strictly within world 2 and 4 context or is there also something beyon…

    Seven Worlds of Digital Art | A Visitor’s Guide

  • JK

    Joana Kawahara Lino@joanakawaharalino1 month ago

    Hi Ivona, thank you for this thoughtful comment. I read a few of your points a little differently. On the digital-native galleries: I took Lev's worlds to be defined by who validates the work and on what terms, not by th…

    Seven Worlds of Digital Art | A Visitor’s Guide

  • IT

    Ivona Tau@ivonatau1 month ago

    I think this is part of a bigger trend toward nostalgia aesthetics. With also things like hand-drawn elements and video footage shot on older digital cameras, it's a broader attempt to differentiate from "slop" aesthetic…

    Are you yearning for the past?

  • IT

    Ivona Tau@ivonatau1 month ago

    Thanks for a very interesting read! In my opinion, there are also a few smaller art worlds adjacent to these that could be worth adding. The first is the world of digital art native galleries and institutions. We've seen…

    Seven Worlds of Digital Art | A Visitor’s Guide

  • A

    Arthemort1 month ago

    I was so disappointed to have missed you ! I also sent you a dm on right click save account to excuse myself of the sorry state you had to experience the show in.. when i came in later no light were on (as a matter of fa…

    STEMMING A FUTURE ROOTED IN NOSTALGIA | POLYGON1993

  • AE

    Alex Estorick@axel1 month ago

    I really enjoyed visiting this exhibition @arthemort, and I’m not surprised it was so popular for a generation gripped by technostalgia. The collaboration with Mitsuhiro Arita, of Pokemon fame, was intriguing for the way…

    STEMMING A FUTURE ROOTED IN NOSTALGIA | POLYGON1993

  • A

    Arthemort1 month ago

    Thank you, Joana, for our original discussion on the topic when I was looking at closing the press release, which undoubtedly helped me put all this into words! will add some pictures by editing the post tomorrow for eas…

    STEMMING A FUTURE ROOTED IN NOSTALGIA | POLYGON1993

  • JK

    Joana Kawahara Lino@joanakawaharalino1 month ago

    I loved it when you mentioned how different nationalities received it differently! Being somewhere in the middle of both cultures, I could see a lot of very Western in POLYGON’s work, but also a visible fondness and admi…

    STEMMING A FUTURE ROOTED IN NOSTALGIA | POLYGON1993

  • JK

    Joana Kawahara Lino@joanakawaharalino1 month ago

    super interesting read!!

    STEMMING A FUTURE ROOTED IN NOSTALGIA | POLYGON1993

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