School of Computing and Information

In the Forum

where do we belong? I’ve always had a discomfort around the use of “digital art” ,my gut feeling is that it is the contemporary version of “computer art”; genre in aesthetic and process. but so many o...

Primavera De Filippi@primavera24

I’m often impressed by the quality of AI, sometimes I’m even fooled into believing that something that is not real is real, but I’m hardly ever “surprised” by seeing something I had never seen before,...

aurèce vettier@aurecevettier12

The dominating discourse about AI — not only in art but also in the corporate world — still seems to be about its "generative" features: creating more images, using more tokens, more connectors, more ...

BottoDAO

Botto has recently launched a new VP Delegation Program designed to broaden its community of curators and diversify the taste that trains it, inviting new participants to take part in weekly voting. A...

From the Magazine

The Hand of AARON | Harold Cohen’s Freehand Line Algorithm

Paul Cohen · Analysis · Mar '26

School of Computing and Information

Profile (past & present)

Coverage · 3 articles

Discussed

Mentioned

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In the Forum

From the Magazine

The Hand of AARON | Harold Cohen’s Freehand Line Algorithm

The Trouble with Terminology

On the Index

Harold Cohen— Artist

Gazelli Art House— Gallery

Harold Cohen Trust

Profile (past & present)

Coverage · 3 articles

Discussed

Mentioned

Read Next

In the Forum

media digital computer hardware software

When was the last time you were surprised by AI?

On digestion, going slow and whether the custom AI model still matters

Curate Botto’s Art: New Delegation Program Live

From the Magazine

The Hand of AARON | Harold Cohen’s Freehand Line Algorithm

The Trouble with Terminology

On the Index

Harold Cohen— Artist

Gazelli Art House— Gallery

Harold Cohen Trust