peopleSondra Perryb. 1986.Works · 1Graft and Ash for a Three Monitor WorkstationCoverage · 5 articlesMentioned2026Landscape as Memory | Connie Bakshi’s “Black Water”2026The Secret Life of an NPC: A Ghost Story2025The Interview | Danielle Brathwaite-Shirley2024On net.art, postinternet, and CryptoArt2022The Artist As Currency
PGPierre Gervois@pgervois·3I started to create digital art because I was broke, not because I choose the mediumI started to create digital art because I was broke, not because I choose the medium. I really value this new space for conversations, at the intersection of digital and physical art practices. I hope we can have here (I saw familiar faces!) very open conversations and confront ideas. ...
JKJoana Kawahara Lino@joanakawaharalino·1On the Super Bowl-ification of Digital ArtOn the Super Bowl-ification of Digital Art. There is a peculiar physics to attention in digital art, and it does not obey the logic the technology promised. A blockchain has no time zone: a token minted in Yokohama settles identically to one mi...
GSGiannis Sourdis@greekdx·1What does the NFT space need to thrive?What does the NFT space need to thrive? This is a topic that has been debated and discussed about since NFTs broke the mainstream in 2021. It’s a big and nuanced topic but an important one. A fundamental issue we are facing, especially now ...
SSShakthi Shrima@praxitelean·12Is "Slop" just this century's verdict on photography, restaged?Is "Slop" just this century's verdict on photography, restaged? In 1859 Baudelaire stood at the Paris Salon and delivered a verdict on photography that he mistook for a description: too easily made, by too many people, for the medium to be anything but the death o...
Landscape as Memory | Connie Bakshi’s “Black Water”Nora N. Khan and Connie Bakshi · Interviews · Jun '26
