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Art on show at Zero10 Art Basel Miami Beach. For individual captions and credits see below
Community
Zero 10 | Digital Art Goes Mainstream at Art Basel
New section headlines landmark year for art and technology at Art Basel Miami Beach
by
Louis Jebb
Credit: Janet Biggs, How the Light Gets In, 2019, Theater at New Museum, New York. Photography by Paula Court. Courtesy of the artist and Asher Remy Toledo/Hyphen Hub, Cristin Tierney Gallery, and Galerie Analix Forever.
Community
Interviews
On Living With and Through AI
Janet Biggs and Toby Heys discuss art and artificial intelligence, from arcane histories to tech futures
by
Janet Biggs and Toby Heys
Community
Interviews
The Art of Good Taste
Core members of the digital art community discuss their collecting habits as part of Art on Tezos: Berlin
by
Fanny Lakoubay
Installation view of “Louis Morlæ, Auto-OOO-Arcadia” at Somerset House, London (2024-25). Photography by Jack Elliot Edwards. Courtesy of the artist and Rose Easton, London
Community
Dreams of Analog Machines
With a practice that sits between art, design, and engineering, Louis Morlæ is prepping audiences for alternative futures
by
Antonia Blocker
Credit: Courtesy of SWATCH Studios 2025. "Infinite Images: The Art of Algorithms" at Toledo Museum of Art. Installation shot of works from Vera Molnár, Themes and Variations
Community
Infinite Images | The Art of Algorithms
The show’s curator Julia Kaganskiy and five exhibiting artists discuss the survey of generative art at Toledo Museum of Art
by
Louis Jebb
Credit: Installation view of Heft Gallery at Paris Photo 2025 with work (right): Ganbrood, The Second Gaze (2025). Courtesy of Heft Gallery
Community
Crypto Histories
How AI Alters Art History
Ganbrood discusses his encounter with Steve McCurry, whose work he reinterpreted with generative AI, at Paris Photo
by
Ganbrood
Credit: Even Askildsen; Kunstsilo; Right Click Save. Award winners, attendees and organisers at The Lumen Prize awards at Kunstsilo, Kristiansand, south Norway
Community
The Lumen Prize Looks to the Future of Digital Art
Award for art and technology seeks new partners as it honors 2025 winners at Kunstsilo museum
by
Louis Jebb
Credit: Will Corwin. Works on show at "House of Learning Systems". From left: Hrvoje Hiršl, Dimensions of the Line (2025); Ebru Kurbak, Reinventing the Spindle (2023); John Baldessari, Teaching a Plant the Alphabet (1972). Courtesy the artists and Funkhaus
Community
Allegories of Information | Vienna Art Week
House of Learning Systems at Funkhaus investigates the complex, often politicized, processes of acquiring knowledge
by
Will Corwin
Credit: Solienne, Automata Paris Photo Booth, 2025, Courtesy of Jérémie Bouillon
Interviews
Community
A Manifesto for AI Agents | Kristi Coronado and Solienne
Trained on a lifetime of personal history, Solienne’s debut at Paris Photo puts human-machine collaboration center stage
by
Alex Estorick
Credit: Jeremy Kamal, Mojo: The Floods. Courtesy of the artist and The Lumen Prize Foundation, Inc
Community
Synthetic Trauma and the Poetics of Erasure
An essay from The Liminal Review analyzing new signals in arts technologies from The Lumen Prize
by
Rachel Falconer
Credit: Evil Biscuit, Drifella III #151, 2025. Courtesy of the artist
Community
Notes from the Avant NFT Underground
A core member of the community traces a history of the grassroots movement mining subculture to the limit
by
GardenParty85
Credit: Installation view of Luke Shannon, “Replacement Character” (2025) at Heft Gallery. Courtesy of the artist and Heft Gallery
Community
Replacement Character | Luke Shannon
Sofia Garcia and Maya Man on working with the artist and how his plotter-scanner reveals the generative condition
by
Sofia Garcia and Maya Man
Credit: Jake Elwes, (Still from) DoomScroll #2, 2025. Courtesy of the artist and Gazelli Art House
Community
Interviews
FEMGEN | The Conversation
A new generation of artists is exploring the ways identity is mediated and manufactured in the digital age
by
Alex Estorick and Micol Apruzzese
Credit: CROSSLUCID, Images from The Way of Flowers _OG Series. Courtesy of the artist and OFFICE IMPART
Interviews
Community
The Interview | CROSSLUCID
The artist collective discusses how it is generating art that cares for living ecosystems with Katharina Weinstock
by
Katharina Weinstock
Nancy Baker Cahill, Kiya Tadele (creative director of Yatreda), and Simon Fernandes. Courtesy of the artists
Interviews
Community
On New Border Ecologies
Nancy Baker Cahill, Yatreda, and Simon Fernandes are marking space across physical and digital terrain
by
Emann Odufu
Credit: Matt Hall and John Watkinson of Larva Labs. Photography by Mackenzie Davenport. Courtesy of Larva Labs
Interviews
Community
Larva Labs on Quine and Code as Art
For the final project on Art Blocks Curated, Matt Hall and John Watkinson are emphasizing collector agency
by
Louis Jebb
Credit: Larva Labs, Feature gallery of the Quine algorithm, 2025. Courtesy of Larva Labs
Community
Larva Labs to Release Final Art Blocks Curated Project
A new work from the creators of CryptoPunks, Quine, will conclude the generative art platform’s flagship collection
by
Louis Jebb
Credit: Abraham, mist, 2021. Courtesy of the artist
Interviews
Crypto Histories
Community
Agents of Eden | Gene Kogan and Xander Steenbrugge
The creators of Abraham share the origin story of the autonomous AI artist with Seth Goldstein
by
Seth Goldstein
Credit: Mario Klingemann, Mutation Series 6 | Mutation 1/14, 2014. Courtesy of the artist
Crypto Histories
Community
The Latent Image
The early works of Mario Klingemann mark a tectonic shift from hand coding to machine learning, writes Alex Estorick
by
Alex Estorick
Credit: Patron, collector, and new owner of Right Click Save, Tony Lyu. Courtesy of Tony Lyu
Community
Interviews
ANNOUNCING A NEW HOME FOR RIGHT CLICK SAVE
The magazine’s new owner, Tony Lyu, shares his journey into digital art with Jason Bailey and Alex Estorick
by
RCS
Credit: Installation view of “Groundwork” at Heft Gallery (2025) with works (from left to right) by Iskra Velitchkova, Helena Sarin, Zach Lieberman, Auriea Harvey, and Ganbrood. Courtesy of Heft Gallery
Interviews
Community
How Digital Art Found its HEFT
A new exhibition at Heft Gallery in New York is paving the way for mass adoption by the art world, finds Ameesia Marold
by
Ameesia Marold
Credit: Cultural tour as part of Art for Tomorrow: “Yukinori Yanagi: ICARUS” at Pirelli HangarBicocca. © The Democracy & Culture Foundation
Community
REPORT | ART FOR TOMORROW
Paul Goguel Masson shares key takeaways from a star-studded conference dedicated to the future of art and technology
by
Paul Goguel Masson
Credit: Installation view of Heart Space by Krista Kim at Noor Riyadh festival 2024. Photography by Julius Baer. Courtesy of the artist
Community
Interviews
Can we Prove we are Human in a World of Machines?
Artists and technologists are developing strategies to restore personal sovereignty over our data bodies
by
Krista Kim
Credit: Diego Trujillo, Blind Camera #32, 2022. Courtesy of Fellowship
Community
AI | ALTERNATIVE INTENTIONS
Leading artists and thinkers raise the stakes in the great AI debate
by
Alex Estorick
Credit: Liu Yue, Let the Overflow Close To Itself Infinitely — Ultimate Saturation #03 (detail), 2004. Courtesy of the artist
Interviews
Community
On China’s Digital Art Ecosystem
The founder of MUD Gallery discusses how generative art is igniting the Shanghai art scene with Noriaki Nakata
by
Noriaki Nakata
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