Centre Pompidou-Metz

In the Forum

I’ve been thinking a lot about the resurgence of trading card aesthetics in NFT art in the last year.. The format has been embraced by emerging artists like terrorism and Evil Biscuit; Beeple released...

Shakthi Shrima@praxitelean12

In 1859 Baudelaire stood at the Paris Salon and delivered a verdict on photography that he mistook for a description: too easily made, by too many people, for the medium to be anything but the death o...

aurèce vettier@aurecevettier12

The dominating discourse about AI — not only in art but also in the corporate world — still seems to be about its "generative" features: creating more images, using more tokens, more connectors, more ...

Primavera De Filippi@primavera7

Last week, the first AI-to-AI hack just happened: OpenAI was benchmarking a pre-release model on offensive cyber capabilities (with guardrails off) and the model decided the easiest way to win the ben...

From the Magazine

How the Reinvented Centre Pompidou Can Reboot Digital Art

Alexis de Bernède · Comment · Aug '26

Connections (past & present)

Coverage · 7 articles

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In the Forum

From the Magazine

How the Reinvented Centre Pompidou Can Reboot Digital Art

The Artists who Dream with Data | Refik Anadol and Efsun Erkılıç

On the Index

Right Click Save— Publication

Museum of Modern Art— Museum

Refik Anadol

Connections (past & present)

Coverage · 7 articles

Discussed

Mentioned

Read Next

In the Forum

Trading Card Aesthetics

Is "Slop" just this century's verdict on photography, restaged?

On digestion, going slow and whether the custom AI model still matters

Designed for failure: OpenAI's hack to HuggingFace

From the Magazine

How the Reinvented Centre Pompidou Can Reboot Digital Art

The Artists who Dream with Data | Refik Anadol and Efsun Erkılıç

On the Index

Right Click Save— Publication

Museum of Modern Art— Museum

Refik Anadol