MagazineForumIndex
Right Click Save
SubscribeLog in
MagazineForumIndex
Right Click Save
SubscribeLog in
Right Click Save
Magazine
  • Interviews
  • Analysis
  • News
  • Histories
  • Quarterly
Forum
  • Commentary
  • Resources
  • Events
  • Opportunities
  • Promotion
  • Meta
Index
  • People
  • Works
  • Organizations
  • Events
  • Concepts
  • Places
Newsletter / SubscribeJoin the waitlist
Sign in
NewsletterJoin the waitlistAboutContactWrite for usLegalPrivacy

Subscribe to our newsletter

The online magazine for critical conversation about the expanding art world.

PeopleWorksEventsOrganizationsConceptsPlaces
organization

Museum of Modern Art

Museum

About this page

This page reflects how this organization appears across Right Click Save's coverage. The details shown below come from our writing, not a complete profile. About the Index →

Profile (past & present)

Leaders
Christophe Cherix

Connections

Members
Michelle Kuo, Paola Antonelli, Ryan Zurrer, Stuart Comer, Christophe Cherix, Danielle King, Madeleine Pierpont, Richard Entrup
Works
MoMA Postcard
Hosted events
Refik Anadol: Unsupervised, Modern Mondays, The Machine as Seen at the End of the Mechanical Age, Deconstructivist Architecture, Information, Machine, Sasha Stiles: A Living Poem, Sixteen Americans, The Responsive Eye, First 15
Location
New York, New York, United States

Roles and affiliations reflect coverage; some may be former.

Works · 1

MoMA Postcard

Collected works · 13

Chromie Squiggles
Erick Calderon (Snowfro)
CryptoPunks
Larva Labs
M 3×3
Analivia Cordeiro
Cyclorama – The Shape of Things, A Video in 7 Parts
Carrie Mae Weems
Delivery Dancer's Arc: Inverse
Ayoung Kim
Les Demoiselles d'Avignon
Pablo Picasso
Ma Jolie
Pablo Picasso
Shape Squeeze
Rafaël Rozendaal
Solar Reserve (Tonopah, Nevada)
John Gerrard
The Clock

Coverage · 75 articles

Featured

  • 2026On Collecting | Ryan Zurrer, owner of 1OF1
  • 2026A-Z of Digital Art 2026
  • 2026Digital Art Acquisitions in 2025
  • 2024HELLO WORLD | The MoMA Postcard
  • 2023When MoMA Went Web3
  • 2023The Interview | Refik Anadol

Discussed

  • 2026Painter of Machines | Miltos Manetas
  • 2026The Art of Computers | Apple at 50
  • 2026The Art of Hacking Surveillance Systems
  • 2026Art on the Blockchain | An Entwined Market
  • 2026Remembering Marian Goodman (1928-2026)
  • 2026New Shows to See Around The World
  • 2025Samia Halaby and Joshua Citarella to show at Whitney Biennial
  • 2025Remembering Frank Gehry (1929-2025)
  • 2025The Art of Good Taste
  • 2025On NFTs | An Affordable Edition for Scholars and Curators
  • 2025The Interview | Danielle Brathwaite-Shirley
  • 2025Dancing with Computers | Analivia Cordeiro
  • 2025How Digital Art Found its HEFT
  • 2025Where Next for Digital Art?
  • 2024The Metamagic of Mathematics
  • 2024The Interview | john gerrard
  • 2024The Interview | Danielle King
  • 2023The Interview | A. Michael Noll
  • 2023Pixel Art and the Age of Technostalgia
  • 2023Frank Stella and the Rights of the Artist
  • 2023Our Fathers | Chuck Csuri and D. P. Henry
  • 2023An Interview with Sputniko!

Mentioned

  • 2026From Code to Canon | The Chapters of Digital Art
  • 2026RIGHT CLICK SAVE ANNOUNCES NEW ART & TECH QUARTERLY
  • 2026Altered Image | Nancy Burson
  • 2026“Contemporary Perception is Hybrid” | Troika
  • 2026Zero 10 Returns at Art Basel Hong Kong
  • 2026In Between the Art Worlds
  • 2026Recent Acquisitions | From Emi Kusano to Shahzia Sikander
  • 2025EZTV and LA’s Digital Underground
  • 2025Infinite Images | The Art of Algorithms
  • 2025The Lumen Prize Looks to the Future of Digital Art
  • 2025Whatever Happened to NFTs?
  • 2025Is AI Art Sustainable?
  • 2025Living Artwork | Alexandra Daisy Ginsberg
  • 2025The World’s Largest GIF
  • 2024The Interview | Lynn Hershman Leeson
  • 2024The Power of Processing
  • 2023Where Next for NFTs?
  • 2023The Interview | John F. Simon Jr.
  • 2023The Interview | Grant Yun
  • 2023The Generative Symphony of Aaron Penne and Boreta
  • 2023How to Decentralize a Museum
  • 2023Is It Art?
  • 2023FEMMEBIT and the New California
  • 2023How NFTs Changed the Art World
  • 2023fxhash | The Collectors
  • 2023NFTs and the Law of the Blockchain
  • 2023When Art Entered the Computer Age
  • 2023The Power of Community Curation | JPG
  • 2023The NFT Curator | Cabline
  • 2023Rebecca Allen and the Birth of Virtual Reality
  • 2023The NFT Collector | Ida Belle
  • 2023Why We Need a Generative Art Award
  • 2023When Sputniko! Met Lu Yang
  • 2023Royalties and the New Collector Economy
  • 2023Should Art Museums Collect NFTs?
  • 2023An Interview with KRANKARTA
  • 2023An Interview with Marina Abramović
  • 2023Brendan Dawes and the Art of Lost Time
  • 2023Can AI Unlock the Unconscious?
  • 2023Can Painters Succeed as NFT Artists?
  • 2023ClownVamp and the Art of NFT Storytelling
  • 2023From NFTs to Quantum Computing
  • 2023fxhash | The Artists
  • 2023Poetry and the New Meaning of Curation
  • 2023The Artist As Currency
  • 2023The Lumen Prize Artists | Part 2
  • 2023The NFT Collector | KarateKid

Log in to comment

No comments yet. Be the first to share your thoughts.

Read Next

In the Forum

LJ
Louis Jebb@louisjebb

Institutional Stamina

Institutional Stamina. Musing on all the new institutions opening in 2026, I was recently struck by a point made by Efsun Erkiliç, co-founder, with Refik Anadol, of Refik Anadol Studio (RAS), about institutional “stamina”. ...

JK
Joana Kawahara Lino@joanakawaharalino·1

Yelling Into The Void

Yelling Into The Void. If the dead internet theory holds, we are all operating in a kind of cultural afterlife: producing for systems that consume without reading, circulating ideas through networks that route them back bef...

GS
Giannis Sourdis@greekdx·3

Avant/Gay NFTs are dead. Long live Avant/Gay NFTs.

Avant/Gay NFTs are dead. Long live Avant/Gay NFTs. After months of not travelling for art events I visited Lisbon to attend the Non-Fungible Conference 2 weeks ago. Something that I kept being asked was "What happened to those Gay NFTs" My response wa...

AE
Alex Estorick@axel

State of the Digital Arts

State of the Digital Arts. I want to start by saying that my interest as Founding Editor of Right Click Save is not and has never been in defining the digital arts but in surfacing as wide a range of voices as possible to deter...

From the Magazine

From Code to Canon | The Chapters of Digital Art

RCS · Interviews · Jun '26

Painter of Machines | Miltos Manetas

Damjanski · Interviews · May '26

On the Index

Right Click Save— Publication