OpenSea

Profile (past & present)

Founders

Devin Finzer

Leaders

Devin Finzer

Discussed

• 2026On Collecting by 100 collectors | EDOUARD on NFT preservation
• 2025Whatever Happened to NFTs?
• 2024Why I Sued the SEC
• 2024Crypto Artists Invest in Themselves
• 2023Empire State of Crypto Art
• 2023The Power of Community Curation | JPG
• 2023Royalties and the New Collector Economy
• 2022Why Should I Pin My NFTs?
• 2022NFTs After The Merge
• 2022How do Smart Contracts Actually Work?
• 2022The Macro State of the NFT Market
• 2022The Life and Times of the NFT
• 2022Phishing for NFT Protection?
• 2022Are Blockchain Art and Finance Really Decentralized?
• 2022Where are your NFTs?

Mentioned

• 2026NFC Summit Puts Art First at New Factory Site
• 2026Art Blocks Embraces AI Agents
• 2026Zero 10 Returns at Art Basel Hong Kong
• 2026Sculpture Meets Digital Art Under the Moon
• 2026A-Z of Digital Art 2026
• 2025Zero 10 | Digital Art Goes Mainstream at Art Basel
• 2024Mint Once, Display Everywhere
• 2023The New Precisionists
• 2023The Conversation | Artnome and Cozomo
• 2023On Generative Pixel Art
• 2023Emi Kusano and Japan’s New Retro
• 2023An Interview with Dmitri Cherniak
• 2023On the Early Days of Hic Et Nunc
• 2022The IPFS Interview
• 2022Data and the Art of NFT Discovery
• 2022Can Web3 Automate Equity?
• 2022Tyler Hobbs on QQL and the Future of Generative Art
• 2022How to Regulate NFTs
• 2022DAOs in the Art World
• 2022THE NFT APOCALYPSE
• 2022When Stephanie Dinkins Met Harm van den Dorpel
• 2022NFTs and the Revenge of Surrealism
• 2022GAN Art and the Fair Use of NFTs
• 2022Are NFTs a Real Solution for Museums?
• 2022NFT Trends in Japan
• 2022Can NFTs Save the Music Industry?
• 2022Robbie Barrat on “The Lost Robbies”
• 2022How NFTs Changed the Art World
• 2022CLIP Art and The New Aesthetics of AI
• 2022On NFTs and the Digital Artists of Iran
• 2022Rare Digital Art Festival #1 Anniversary: Joe Looney
• 2022Can we Build a Better NFT Ecosystem?
• 2022To the Metaverse and Beyond
• 2022Keeping Up With Crypto Lingo