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In the Forum

where do we belong? I’ve always had a discomfort around the use of “digital art” ,my gut feeling is that it is the contemporary version of “computer art”; genre in aesthetic and process. but so many o...

B. Bogart@bbogart

Hey All! I thought I would share this bit of experimental writing, which I referenced in my comment on this thread, reflecting on knowledge, AGI, epistemology, disability, politics, queerness and more...

Brian Droitcour@briandroitcour

I’ve been thinking a lot about the resurgence of trading card aesthetics in NFT art in the last year.. The format has been embraced by emerging artists like terrorism and Evil Biscuit; Beeple released...

Primavera De Filippi@primavera7

Last week, the first AI-to-AI hack just happened: OpenAI was benchmarking a pre-release model on offensive cyber capabilities (with guardrails off) and the model decided the easiest way to win the ben...

From the Magazine

The Artists who Dream with Data | Refik Anadol and Efsun Erkılıç

Louis Jebb · Interviews · Aug '26

Connections (past & present)

Coverage · 10 articles

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Mentioned

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In the Forum

From the Magazine

The Artists who Dream with Data | Refik Anadol and Efsun Erkılıç

Images After AI | Trevor Paglen

On the Index

Right Click Save— Publication

The New York Times— Publication

Museum of Modern Art— Museum

Connections (past & present)

Coverage · 10 articles

Discussed

Mentioned

Read Next

In the Forum

media digital computer hardware software

The Margins of Realism | The Realism of Margins

Trading Card Aesthetics

Designed for failure: OpenAI's hack to HuggingFace

From the Magazine

The Artists who Dream with Data | Refik Anadol and Efsun Erkılıç

Images After AI | Trevor Paglen

On the Index

Right Click Save— Publication

The New York Times— Publication

Museum of Modern Art— Museum