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The online magazine for critical conversation about the expanding art world.

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organization

Art Blocks

Platform

About this page

This page reflects how this organization appears across Right Click Save's coverage. The details shown here come from our writing, not a complete profile. About the Index →

Suggest a correction →

Profile (past & present)

Founders
Erick Calderon (Snowfro)
Leaders
Jeff Davis, Erick Calderon (Snowfro), Jordan Lyall

Connections

Represented artists
Harvey Rayner, Alexander Reben, Dmitri Cherniak, Erick Calderon (Snowfro), hex6c, Larva Labs, Leo Villareal, Robert Hodgin
Members
Jeff Davis, Aaron Penne, Anika Meier, Erick Calderon (Snowfro), Joana Kawahara-Lino, Jordan Lyall, Kate Hannah, Luke Shannon, Micol Ap, Sofia Garcia
Hosted events
reGEN, FEMGEN, Art Blocks Marfa Weekend, Evolving Pixels
Includes
Art Blocks Curation Board, Art Blocks Studio

Some roles and affiliations may be former.

Coverage · 98 articles

Featured

  • 2026Landscapes of the Mind | William Mapan
  • 2026Art Blocks Embraces AI Agents
  • 2026A-Z of Digital Art 2026
  • 2025Tyler Hobbs on Signal and Noise
  • 2025Larva Labs on Quine and Code as Art
  • 2025Larva Labs to Release Final Art Blocks Curated Project
  • 2023reGEN | Generative Artists Fighting Degenerative Diseases
  • 2023When Generative Art Became Contemporary Art
  • 2023The Interview | Operator
  • 2023For the Love of Squiggles
  • 2023The Color of Code | Jeff Davis
  • 2022An Interview with Snowfro
  • 2022Art Blocks and the Data of Generative Art

Discussed

  • 2026Art Basel Welcomes Converging Art Worlds
  • 2026The Rule of the Bloom | Kazuhiro Tanimoto
  • 2026Established Galleries Go Digital at Art Basel
  • 2026Zero 10 Returns at Art Basel Hong Kong
  • 2026On Collecting | From CryptoCats to Computational Media
  • 2025Zero 10 | Digital Art Goes Mainstream at Art Basel
  • 2025The Art of Good Taste
  • 2025Infinite Images | The Art of Algorithms
  • 2025The Art of the Game
  • 2025Caring Code | Marcelo Soria-Rodríguez
  • 2025The Interview | Bjørn Staal
  • 2024Herndon, Dryhurst, and Hobbs on Liquid Images
  • 2024The Interview | Matt DesLauriers
  • 2023The Generous Art of Robert Hodgin
  • 2023The Interview | Grant Yun
  • 2023What is the Future of Generative Media?
  • 2023The Power of Processing
  • 2023When Tyler Hobbs Met 0xDEAFBEEF
  • 2023Rhizome and the SEED of Digital Art’s Future
  • 2023The Generative Symphony of Aaron Penne and Boreta
  • 2023Squiggles Bring Out the Best in Web3 in Tribute to Hal Finney
  • 2023PROOF OF PIXELS
  • 2023How To (Really) Make It in Web3
  • 2023An Interview with Dmitri Cherniak
  • 2023thefunnyguys and Artnome on Le Random
  • 2023Right Click Live and Japan’s New NFT Scene
  • 2022An Interview with Monica Rizzoli
  • 2022When the Artists Met the Algorist
  • 2022Tyler Hobbs on QQL and the Future of Generative Art
  • 2022NFTs After The Merge
  • 2022Is Blockchain a Medium?
  • 2022The Lumen Prize Artists | Part 1
  • 2022Rhea Myers and the Logic of Technical Realism
  • 2022​​The NFT Collector | Richard Kim
  • 2022On the Artist and Long-Form Generative Art
  • 2022An Interview with Tyler Hobbs | Part 1
  • 2022An Interview with Tyler Hobbs | Part 2
  • 2022fxhash | The Collectors
  • 2022The NFT Collector | KarateKid
  • 2022Are Blockchain Art and Finance Really Decentralized?
  • 2022The Generative Art of Marcelo Soria-Rodriguez
  • 2022On the New Evolution of Generative Art
  • 2022Data in the Year of the NFT

Mentioned

  • 2026How the Reinvented Centre Pompidou Can Reboot Digital Art
  • 2026An Interview with Steven Sacks
  • 2026The Interview | Maya Man
  • 2026Recent Acquisitions | From Emi Kusano to Shahzia Sikander
  • 2026On Collecting | From Pascal Boyart to Vera Molnar
  • 2026NODE | Digital Art Finds a Home in Silicon Valley
  • 2026New Shows to See Around The World
  • 2025Right Click Save’s Top 10 Stories in 2025
  • 2025Remembering Frank Gehry (1929-2025)
  • 2025The Power of The Paintbox
  • 2025Cure³ Unites the Art World to Cure Parkinson’s
  • 2024The Artist as Comedian
  • 2024Bridging Worlds | Digital Art Beyond Borders
  • 2024The Metamagic of Mathematics
  • 2024ANNOUNCING THE RCS BOOK
  • 2023The Emergent Artists of fx(hash)
  • 2023The Art of Radical Inclusivity
  • 2023The Art of Embodied Immersion | Alida Sun
  • 2023The Interview | Piter Pasma
  • 2023What Does “On-Chain” Really Mean?
  • 2023The Power of Community Curation | JPG
  • 2023When IX Shells Met Fingacode
  • 2023Anna Lucia and the Quilters of Gee’s Bend
  • 2023Pixel Art and the Age of Technostalgia
  • 2023Joe Kennedy and Artnome on Rebuilding the Art World
  • 2023Generative Art and Japan’s Bright Future
  • 2023Decentralized Autonomous Education
  • 2023Why We Need a Generative Art Award
  • 2023Our Fathers | Chuck Csuri and D. P. Henry
  • 2023FEMGEN and the Brave New Art World
  • 2022The Currency of Rarity
  • 2022The Artist As Currency
  • 2022An Interview with Alicja Kwade
  • 2022An Interview with William Mapan
  • 2022Will NFTs Unite the Art World?
  • 2022In Search of Generative Art History
  • 2022How many NFTs are actually on the blockchain?
  • 2022The Macro State of the NFT Market
  • 2022REPORT | NFT ART DAY ZRH
  • 2022EPOCH Gallery and Blockchain’s New Ecology
  • 2022fxhash | The Artists
  • 2022How NFTs Changed the Art World

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From the Magazine

How the Reinvented Centre Pompidou Can Reboot Digital Art

Alexis de Bernède · Comment · Aug '26

An Interview with Steven Sacks

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On the Index

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