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The online magazine for critical conversation about the expanding art world.

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people

Alex Estorick

curator, b. 1988, based in London, United Kingdom.

About this page

This page reflects how this person appears across Right Click Save's coverage. The details shown here come from our writing, not a complete profile. This entry is matched to a Wikidata record, which may supply reference details such as birth years. About the Index →

Suggest a correction →

Profile (past & present)

Roles
Curator, Editor, Founding Editor, Writer
Locations
London, United Kingdom

Connections

Collaborators
Ana María Caballero
Founder of
Right Click Save, reGEN
Leadership roles
Right Click Save, reGEN
Affiliations
Right Click Save, Goldsmiths, University of London, Department of Computing, Flash Art and
Teaching
Goldsmiths, University of London, Imperial College London, New York University, Royal College of Art and

Some roles and affiliations may be former.

Works · 4

On Crypto Art
Right Click Save: The New Digital Art Community
artifacts (artists' proof)
artifacts (test output)

Authored Articles on Right Click Save

  • 2026Relics of the Future
  • 2026In Search of Creative Intelligence
  • 2026On fxhash and the End of Radical Inclusivity
  • 2026Designs On the Future
  • 2026The Curator Ecology
  • 2026Animating the Everyday | DeeKay
  • 2026The Art of The Future | Stan VanDerBeek
  • 2026On Screens | Jefferson Hack and Susanna Davies-Crook
  • 2026“Contemporary Perception is Hybrid” | Troika
  • 2026In Emergent Fields | Iskra Velitchkova
  • 2026In Search of Aesthetic Consensus | Botto
  • 2026The Canons of Digital Art
  • 2026Drawing with Robots | Patrick Tresset
  • 2026The Factory of Dreams | Onassis ONX
  • 2025The Artists at the Intersection
  • 2025Tokyo Sets Stage for Exhibition of Media Ecologies
  • 2025A Manifesto for AI Agents | Kristi Coronado and Solienne
  • 2025FEMGEN | The Conversation
  • 2025Computational Poetry | Wen New Atelier
  • 2025The Latent Image
  • 2025The Art of the Game
  • 2025Dancing with Computers | Analivia Cordeiro
  • 2025The Power of The Paintbox
  • 2025Art After Artists
  • 2025The Interview | Libby Heaney
  • 2025Caring Code | Marcelo Soria-Rodríguez
  • 2025AI | ALTERNATIVE INTENTIONS
  • 2025More Than Human Conversation
  • 2025Whatever Happened to NFTs?
  • 2025Cure³ Unites the Art World to Cure Parkinson’s
  • 2025The Interview | Bjørn Staal
  • 2025The Pixel Universe | Yosca Maeda
  • 2024The Art of DIY Education
  • 2024Living Artwork | Alexandra Daisy Ginsberg
  • 2024Herndon, Dryhurst, and Hobbs on Liquid Images
  • 2024Decentering the Human | Kadine James
  • 2024On net.art, postinternet, and CryptoArt
  • 2024The Interview | Matt DesLauriers
  • 2024ANNOUNCING THE RCS BOOK
  • 2024Where Next for Digital Art?
  • 2024The Interview | Jared S. Tarbell
  • 2023The fx(hash) Conversation | Ciphrd and Zancan
  • 2023The Power of the Plotter
  • 2023Art After NFTs
  • 2023reGEN | Generative Artists Fighting Degenerative Diseases
  • 2023The True Value of Tokens
  • 2023The Edges of Code
  • 2023The Interview | Refik Anadol
  • 2023Digital Art’s Byzantine Prehistory
  • 2023The Power of Processing
  • 2023When Tyler Hobbs Met 0xDEAFBEEF
  • 2023The Art of Embodied Immersion | Alida Sun
  • 2023The Interview | Piter Pasma
  • 2023When Poetry Took Over the Blockchain
  • 2023Is Art Getting Closer to Science?
  • 2023The Interview | Operator
  • 2023Squiggles Bring Out the Best in Web3 in Tribute to Hal Finney
  • 2023On Generative Pixel Art
  • 2023The Color of Code | Jeff Davis
  • 2023PROOF OF PIXELS
  • 2023Painting and the Personal Computer | Samia Halaby
  • 2023Kitel | A Generative Artist for Ukraine
  • 2023A New Model of Charitable Giving in Web3
  • 2022An Interview with Jesse Draxler
  • 2022NFTs and the New Power of Performance Art
  • 2022Shunsuke Takawo on Generative Art in Japan
  • 2022An Interview with Ganbrood
  • 2022Can Web3 Automate Equity?
  • 2022Tyler Hobbs on QQL and the Future of Generative Art
  • 2022Time On The Blockchain
  • 2022An Interview with Snowfro
  • 2022An Interview with Marina Abramović
  • 2022REPORT | NFT ART DAY ZRH
  • 2022Web3 and the New Social Contract
  • 2022When Stephanie Dinkins Met Harm van den Dorpel
  • 2022The Worldbuilders of Web3

Coverage · 98 articles

Featured

  • 2026Relics of the Future
  • 2026In Search of Creative Intelligence
  • 2026The Curator Ecology
  • 2026Animating the Everyday | DeeKay
  • 2026On Screens | Jefferson Hack and Susanna Davies-Crook
  • 2026In Between the Art Worlds
  • 2026The Canons of Digital Art
  • 2026A-Z of Digital Art 2026
  • 2025ANNOUNCING A NEW HOME FOR RIGHT CLICK SAVE
  • 2025The Interview | Bjørn Staal
  • 2025The Pixel Universe | Yosca Maeda
  • 2024On net.art, postinternet, and CryptoArt
  • 2024Where Next for Digital Art?
  • 2024The Interview | Jared S. Tarbell
  • 2023The True Value of Tokens
  • 2023The Power of Processing
  • 2023The Interview | Operator
  • 2022An Interview with Marina Abramović

Discussed

  • 2026Designs On the Future
  • 2026The Art of The Future | Stan VanDerBeek
  • 2026Art Basel Welcomes Converging Art Worlds
  • 2026“Contemporary Perception is Hybrid” | Troika
  • 2026In Emergent Fields | Iskra Velitchkova
  • 2026In Search of Aesthetic Consensus | Botto
  • 2026Drawing with Robots | Patrick Tresset
  • 2026The Factory of Dreams | Onassis ONX
  • 2025Right Click Save’s Top 10 Stories in 2025
  • 2025The Artists at the Intersection
  • 2025A Manifesto for AI Agents | Kristi Coronado and Solienne
  • 2025FEMGEN | The Conversation
  • 2025Computational Poetry | Wen New Atelier
  • 2025The Latent Image
  • 2025The Art of the Game
  • 2025Dancing with Computers | Analivia Cordeiro
  • 2025The Power of The Paintbox
  • 2025Art After Artists
  • 2025The Interview | Libby Heaney
  • 2025AI | ALTERNATIVE INTENTIONS
  • 2025More Than Human Conversation
  • 2025Whatever Happened to NFTs?
  • 2025Cure³ Unites the Art World to Cure Parkinson’s
  • 2024The Art of DIY Education
  • 2024Living Artwork | Alexandra Daisy Ginsberg
  • 2024Herndon, Dryhurst, and Hobbs on Liquid Images
  • 2024Decentering the Human | Kadine James
  • 2024The Art of Money
  • 2024The Interview | Matt DesLauriers
  • 2024ANNOUNCING THE RCS BOOK
  • 2023The fx(hash) Conversation | Ciphrd and Zancan
  • 2023The Power of the Plotter
  • 2023reGEN | Generative Artists Fighting Degenerative Diseases
  • 2023The Edges of Code
  • 2023The Interview | Refik Anadol
  • 2023Digital Art’s Byzantine Prehistory
  • 2023When Tyler Hobbs Met 0xDEAFBEEF
  • 2023The Art of Embodied Immersion | Alida Sun
  • 2023The Interview | Piter Pasma
  • 2023When Poetry Took Over the Blockchain
  • 2023Is Art Getting Closer to Science?
  • 2023On Generative Pixel Art
  • 2023The Color of Code | Jeff Davis
  • 2023PROOF OF PIXELS
  • 2023Painting and the Personal Computer | Samia Halaby
  • 2023Kitel | A Generative Artist for Ukraine
  • 2023Our Fathers | Chuck Csuri and D. P. Henry
  • 2023A New Model of Charitable Giving in Web3
  • 2022An Interview with Jesse Draxler
  • 2022NFTs and the New Power of Performance Art
  • 2022Shunsuke Takawo on Generative Art in Japan
  • 2022An Interview with Ganbrood
  • 2022When the Artists Met the Algorist
  • 2022NFTs and The Tech Resurrection
  • 2022On Decentralized Curation
  • 2022Tyler Hobbs on QQL and the Future of Generative Art
  • 2022Time On The Blockchain
  • 2022An Interview with Snowfro
  • 2022REPORT | NFT ART DAY ZRH
  • 2022Web3 and the New Social Contract
  • 2022When Stephanie Dinkins Met Harm van den Dorpel
  • 2022The Worldbuilders of Web3
  • 2022Where Next for NFTs?

Mentioned

  • 2026On fxhash and the End of Radical Inclusivity
  • 2026Right Click Save publishes new edition of Art & Tech quarterly
  • 2026A New Technology and Creativity Festival Comes to London | Creative Intelligence
  • 2026A Connected Art World Works Both Ways
  • 2026RIGHT CLICK SAVE ANNOUNCES NEW ART & TECH QUARTERLY
  • 2025Tokyo Sets Stage for Exhibition of Media Ecologies
  • 2025The Art of Good Taste
  • 2025On NFTs | An Affordable Edition for Scholars and Curators
  • 2025Can Art and Tech Giants Shape Education with AI?
  • 2025Caring Code | Marcelo Soria-Rodríguez
  • 2024Patterns of Flow | Revisiting Hiroshi Kawano
  • 2023Art After NFTs
  • 2023Squiggles Bring Out the Best in Web3 in Tribute to Hal Finney
  • 2023How To (Really) Make It in Web3
  • 2022Can Web3 Automate Equity?
  • 2022The Lumen Interview | elekhlekha
  • 2022WHAT’S YOUR #RIGHTCLICKFAVE?!

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From the Magazine

Relics of the Future

Alex Estorick · Interviews · Oct '26

In Search of Creative Intelligence

Alex Estorick · Interviews · Sep '26

On the Index

Right Click Save— Publication